On was an interdisciplinary graduate periodical established by RISD graduate students in 2006. It featured essays and student work that related to a general issue theme. On was intended as a quarterly publication, but it is unclear if further issues beyond the first were ever published.
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"They kept on puzzling as to what they should do with him." from "Legends of the City of Mexico" by Thomas A. Janvier
Fleet Library, Visual + Material Resources, and Frank Earle Schoonover
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"I'm going up to play with the little girl, mother,...You don't mind, do you?" from "In the Closed Room" by F. H. Burnett
Fleet Library, Visual + Material Resources, and Jessie Willcox Smith
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"Madelon sank down upon the broad seat which stretches below the windows", from "Night, and the Curtains Drawn" by Justus Miles Forman
Fleet Library, Visual + Material Resources, and Jessie Willcox Smith
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"She often sat curving her small long fingers backward and talking to herself about Aunt Hester" from "In the Closed Room" by F. H. Burnett
Fleet Library, Visual + Material Resources, and Jessie Willcox Smith
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Tapped the wand upon the well-worn rug. from "The Last of the Fairywands" by William Henry Bishop
Fleet Library, Visual + Material Resources, and Jessie Willcox Smith
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"The places where she came upon Aunt Hester were strange and lovely" from "In the Closed Room" by F. H. Burnett
Fleet Library, Visual + Material Resources, and Jessie Willcox Smith
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A heavy wagon loaded with a few tons of ore is a vicious force on the side of a mountain.
Fleet Library, Visual + Material Resources, and Allen Tupper true
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A remorseless, certain settling--which a struggle only hastens and which ends in an everlasting disappearance.
Fleet Library, Visual + Material Resources, and Allen Tupper true
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Ce Que L'on Verra Demain. De L'Influence des Ballets Russes sur le Fox-Trot.
Fleet Library, Visual + Material Resources, and Armand Vallée
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Frisson D'Avril
Fleet Library, Visual + Material Resources, and Armand Vallée
A l'appel tardif du Printemps, La nature, frileusement, D'un geste timide et charmant, Dévoile ses charmes naissants.
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Pour le Service de la Patrie la Mobilisation Maraichère
Fleet Library, Visual + Material Resources, and Louis-Denis Valvérane
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La Mobilisation Féminine : La Femme Planton
Fleet Library, Visual + Material Resources, Louis-Denis Valvérane, and Georges D'Espagnat
Mais, mademoiselle, vous me connaissez bien : je suis...Serai-tu le Petit Caporal en personne, mon garçon, la consigne est la consigne : on ne passe pas!
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Le Rêve du Permissionnaire…Trouver une Poupée dans son Soulier
Fleet Library, Visual + Material Resources, Louis-Denis Valvérane, and Georges D'Espagnat
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Pour un Soir, Oublions les Problèmes des Restrictions!
Fleet Library, Visual + Material Resources, and Rene Vincent
La cuisiniére du souper de la Saint-Sylvestre
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Question de Droit
Fleet Library, Visual + Material Resources, and Rene Vincent
- Tu sais, Poupette, il est question de réformer le Code. - Qu'est-ce que c'est encore que cet embusqué?
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Le Song D'une Nuit D'Hiver
Fleet Library, Visual + Material Resources, and Gerda Wegener
Elle pense à lui Et il rêve d'elle... Son amour l'appelle, Son regard le suit. Les cœrs ont des ailes Et, quand vient la nuit, Les amants fidèles Se joignent sans bruit...
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"...with stones...he shaped them into rude knives.", painting for "The Buccaneers"
Fleet Library, Visual + Material Resources, and N. C. Wyeth
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Embody phenomenal transparency : the expanded application of "phenomenal transparency" in landscape architecture
Hongfei Li
Phenomenal Transparency was first identified from cubism painting and applied to architectural analysis by Colin Rowe and Slutzky in 1963. In terms of the discussion of form, this spatial quality synthesizes and demonstrates complex orders and organizations in a structural way which could be comprehend through experience. From the perspective of modern physics considering the traditional space as timespace continuum, the intentionally ambiguous space creates simultaneous perception and actively mutual relationship between human and time-space which is the essential forum of Phenomenology in current context.
The thesis bridges the theory of “Phenomenal Transparency“, the theory of “Phenomenology” in aspect of embody experience and the design application in “Landscape Architecture”, aiming at translating, representing and expanding this theory from the scope of landscape architecture and eventually achieving “the making of place“.
