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Home > RISD Archives > Student Newspapers Collection > On (2006)

On (2006)

 

On was an interdisciplinary graduate periodical established by RISD graduate students in 2006. It featured essays and student work that related to a general issue theme. On was intended as a quarterly publication, but it is unclear if further issues beyond the first were ever published.

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  • New Directions in Environmental Studies by Liberal Arts Division

    New Directions in Environmental Studies

    Liberal Arts Division

    Poster for RISD Nature-Culture-Sutainability Studies (NCSS) New Directions in Environmental Studies Lecture Series.

  • Decolonizing Design, Imagining Alternative Futures and Designs for the Pluriverse | Arturo Escobar by Liberal Arts Division and RISD Museum

    Decolonizing Design, Imagining Alternative Futures and Designs for the Pluriverse | Arturo Escobar

    Liberal Arts Division and RISD Museum

    Declonizing Design, Imagining Alternative Futures lecture, Apil 18, 2019. 6:15 pm, Metcalf Auditorium, RISD Museum/Chace Center. Exploring Nature-Culture-Sustainability and design with author, anthropologist, and philosopher Arturo Escobar in conversation with RISD faculty, Namita Dharia, Jess Brown, Ramon Tejada, and Ijlal Muzaffar. This conversation is planned in conjunction with the Museum’s exhibition, Repair and Design Futures.Co-sponsored by RISD’s Nature-Culture-Sustainability Studies and Global Arts + Culture graduate programs and the RISD Museum’s exhibition, Repair & Design Futures.

    Designs for the Pluriverse book discussion, April 19, 2019 at 12:30pm, RISD Museum Repair and Design Futures Exhibition. Join members of the RISD community and author, anthropologist, and philosopher Arturo Escobar to examine the concepts outlined in his book Designs for the Pluriverse: Radical Interdependence, Autonomy, and Making of Worlds. Escobar deeply considers how refiguring current design practices could lead to the creation of more just and sustainable social orders.Co-sponsored by RISD’s Nature-Culture-Sustainability Studies and Global Arts + Culture graduate programs and the RISD Museum’s exhibition, Repair & Design Futures.

    Arturo Escobar is the Kenan Professor of Anthropology at the University of North Carolina, Chapel Hill, and a Research Associate with the Culture, Memory, and Nation group at Universidad del Valle, Cali. His main interests are political ecology, ontological design, and the anthropology of development, social movements, and technoscience. Over the past twenty-five years, he has worked closely with several Afro-Colombian social movements, particular the Process of Black Communities (PCN). He is author of the well-known book Encountering Development: The Making and Unmaking of the Third World (1995, 2011), and more recently, Territories of Difference: Place, Movements, Life, Redes (2008); Sentipensar con la Tierra. Nuevas lecturas sobre desarrollo, territorio y diferencia (2014); Otro possible es possible: Caminando hacia las transiciones desde Anya Yala/Afro/Latino-America (2017); and Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds (forthcoming, 2018).

  • Decolonizing Design, Imagining Alternative Futures | A talk by Arturo Escobar by Liberal Arts Division, RISD Museum, and NCSS Graduate Program

    Decolonizing Design, Imagining Alternative Futures | A talk by Arturo Escobar

    Liberal Arts Division, RISD Museum, and NCSS Graduate Program

    Decolonizing Design, Imagining Alternative Futures lecture, April 18, 2019. 6:15 pm, Metcalf Auditorium, RISD Museum/Chace Center. Exploring Nature-Culture-Sustainability and design with author, anthropologist, and philosopher Arturo Escobar in conversation with RISD faculty, Namita Dharia, Jess Brown, Ramon Tejada, and Ijlal Muzaffar. This conversation is planned in conjunction with the Museum’s exhibition, Repair and Design Futures.Co-sponsored by RISD’s Nature-Culture-Sustainability Studies and Global Arts + Culture graduate programs and the RISD Museum’s exhibition, Repair & Design Futures.

    Arturo Escobar is the Kenan Professor of Anthropology at the University of North Carolina, Chapel Hill, and a Research Associate with the Culture, Memory, and Nation group at Universidad del Valle, Cali. His main interests are political ecology, ontological design, and the anthropology of development, social movements, and technoscience. Over the past twenty-five years, he has worked closely with several Afro-Colombian social movements, particular the Process of Black Communities (PCN). He is author of the well-known book Encountering Development: The Making and Unmaking of the Third World (1995, 2011), and more recently, Territories of Difference: Place, Movements, Life, Redes (2008); Sentipensar con la Tierra. Nuevas lecturas sobre desarrollo, territorio y diferencia (2014); Otro possible es possible: Caminando hacia las transiciones desde Anya Yala/Afro/Latino-America (2017); and Designs for the Pluriverse: Radical Interdependence, Autonomy, and the Making of Worlds (forthcoming, 2018).

  • Decolonizing Design, Repair, and Mapping Indigenous Futures | A Conversatoin with Tristan Schultz by Liberal Arts Division, RISD Museum, and NCSS Graduate Program

    Decolonizing Design, Repair, and Mapping Indigenous Futures | A Conversatoin with Tristan Schultz

    Liberal Arts Division, RISD Museum, and NCSS Graduate Program

    Lecture, March 21, 2019. 6:30 pm, Metcalf Auditorium, Chace Center/RISD Museum. In this discussion, Tristan Schultz will discuss his work with the decolonizing design group. He will also discuss his research on repair and maintenance as radical eco-design strategies and consider the role that indigenous futuring could play in expanding our understanding of sustainable futures.

    Tristan Schultz is a Lecturer and Convenor of Visual Communication Design in the Design Futures Program at Griffith University, Tristan is an Australian/Aboriginal interdisciplinary designer, strategist and researcher with a Master of Design Futures (Hons) and PhD Candidate. Recent research has focused on how design has been, and still is implicated in ongoing colonialism, particularly in relation to Aboriginal cultures in Australia.

    He is also the founder and co-director of Relative, a forward-thinking, strategic design practice with a focus on using up-to-date research and community engagement processes to help people understand complex challenges and to support behaviour changes.

  • RISD GAC Decolonizing Art and Design Lecture Series by Liberal Arts Division, RISD President, and Center for Social Equity + Inclusion

    RISD GAC Decolonizing Art and Design Lecture Series

    Liberal Arts Division, RISD President, and Center for Social Equity + Inclusion

    Poster for RISD Global Arts and Cultures (GAC) Decolonizing Art and Design Lecture Series.

  • Cranston Solar Woods I by Douglas Doe and Fleet Library

    Cranston Solar Woods I

    Douglas Doe and Fleet Library

    Before and after photo of the Lippitt Ave solar facility built in Cranston, RI, 2017-2019. This photo depicts the entrance.

  • Cranston Solar Woods II by Douglas Doe and Fleet Library

    Cranston Solar Woods II

    Douglas Doe and Fleet Library

    Before and after photo of the Lippitt Ave solar facility built in Cranston, RI, 2017-2019. This photo depicts a deer stand on conservation land.

  • Cranston Solar Woods III by Douglas Doe and Fleet Library

    Cranston Solar Woods III

    Douglas Doe and Fleet Library

    Before and after photo of the Lippitt Ave solar facility built in Cranston, RI, 2017-2019. This photo depicts the view from the Knight Farm hay field.

  • The Power of Horror: Abject Art and Terrorism in Don DeLillo’s <em>Falling Man</em> by Kelsie Donnelly

    The Power of Horror: Abject Art and Terrorism in Don DeLillo’s Falling Man

    Kelsie Donnelly

    This paper argues that Don DeLillo’s 2007 novel, Falling Man, engages with abject art to disrupt the pre-existing systems of signification and dualistic rhetoric that characterized state and media responses to the terrorist attacks of September 11, 2001. The novel engages with one of the most controversial areas of 9/11 discourse: claims that the attacks were an artistic spectacle. Falling Man posits that if art is to continue to grapple with the meanings of 9/11, it must depart from familiar discourses of tragedy and triumph and embrace radical artistic responses. The novel fulfills this through its engagement with abject art, which poses necessary questions pertaining to the aesthetic, ethical, and political. Such an art form inspires terror and requires a particular aesthetic. Through its assessment of abject art and terrorism, Falling Man destabilizes conventional interpretive frameworks to provide a new artistic and ethical response to 9/11.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Alumni Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Alumni Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This Alumni Exhibition was held at the TLAD + POD Studio Lab in August 2019 and was planned and curated by POD alumni Jessica Dough. 14 POD alumni participated in this show and displayed their recent creative work.

  • Saturday Portfolio Program Annual End of the Year Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Saturday Portfolio Program Annual End of the Year Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This end of year exhibition was held at the TLAD + POD Studio Lab, in the spring of 2019 to celebrate the work of 75 teens from our three portfolio sections . Instructors this year were Clara Lieu (Senior Portfolio), Eliza Squibb (Portfolio II) and Alejandra Perez, Lorriene Solaski and Christine Enos (Portfolio I).

  • Saturday Portfolio Program Annual End of the Year Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Saturday Portfolio Program Annual End of the Year Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This end of year exhibition was held at the TLAD + POD Studio Lab, in the spring of 2019 to celebrate the work of 75 teens from our three portfolio sections . Instructors this year were Clara Lieu (Senior Portfolio), Eliza Squibb (Portfolio II) and Alejandra Perez, Lorriene Solaski and Christine Enos (Portfolio I).

  • Saturday Portfolio Program Annual End of the Year Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Saturday Portfolio Program Annual End of the Year Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This end of year exhibition was held at the TLAD + POD Studio Lab, in the spring of 2019 to celebrate the work of 75 teens from our three portfolio sections . Instructors this year were Clara Lieu (Senior Portfolio), Eliza Squibb (Portfolio II) and Alejandra Perez, Lorriene Solaski and Christine Enos (Portfolio I).

  • Saturday Portfolio Program Annual End of the Year Exhibition (2019) by Project Open Door and Teaching + Learning in Art + Design Department

    Saturday Portfolio Program Annual End of the Year Exhibition (2019)

    Project Open Door and Teaching + Learning in Art + Design Department

    This end of year exhibition was held at the TLAD + POD Studio Lab, in the spring of 2019 to celebrate the work of 75 teens from our three portfolio sections . Instructors this year were Clara Lieu (Senior Portfolio), Eliza Squibb (Portfolio II) and Alejandra Perez, Lorriene Solaski and Christine Enos (Portfolio I).

 

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