"The first graduate program at RISD was established in 1957 with the MS in Art Education with the first MFA programs starting in 1961. We now have 16 graduate programs with 2 more being added in 2018.The core of any graduate program is concentrated and advanced study in an academic or professional field. Compared with undergraduate studies, graduate education is focused on producing original contributions to a field, based on research and advance practice. Graduate programs also provide the opportunity for more applied experience via internships, teaching or research. This is essential for RISD’s commitment to furthering the importance of art and design in the world and in producing distinguished professional and academic leaders." -Pradeep Sharma, RISD Provost 2014-2017

This series presents all collected student Masters Theses submitted and approved as graduation requirements from each of the seventeen departments offering a graduate degree: Architecture, Ceramics, Digital + Media, Furniture Design, Glass, Graphic Design, Illustration, Industrial Design, Interior Architecture, Jewelry + Metalsmithing, Landscape Architecture, Painting, Photography, Printmaking, Sculpture, Teaching + Learning in Art and Design, and Textiles. Postgraduate writing and research is also included.

These works are licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 License.

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Theses from 2026

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Foveate, Dahlia Aggarwal

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Sentience, Sheetal Agrawal

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Femmage Work, Mary Elizabeth Alford

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countersense, Avrie Allen

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Studio Archeology: Uncovering Pedagogical Potential in Artist Spaces, Julia I. Ambros

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Without traditional craftsmanship, Modern Design is nothing, Muhammad Asif

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OPEN_______, Eitan Boiarsky

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Echándole Ganas: Pláticas of Belonging + Resistance in Art + Design, Itzanya Bravo

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There is No Real : The Burden Makes it Real, Matthew L. Brown

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AER, Qiyi Cai

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41.82379°N, 71.38497°W, Xiaotong Cai

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Commodity Beyond Price: A Visible Database of Free Objects, Yifei Cai

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The Maroon Cycle, Lloyd-Princeton Cangé

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I Miss My Computer: Online Artistry, Web Aesthetics, and Coming-of-Age in a Digital Landscape, Catherine Capeci

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AuxiliarY DamagE, Aiyi Cheng

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Frictional Intelligence, Posheng Cheng

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PROVIDENCE PUZZLE:Exhibition Design as Urban Spatial Practice, Ye Chen

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What a Wonderful Dream, Zhaoyue Chen

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Objects With Life, Yu Ting Chiu

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Fallen Leaves:The Unseen, Forgotten, Presences that Live in Us, Juhee Cho

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Painting as SFX, Callie Coccia

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Companionship, Certainty, Integrity, Chandler C. Curtis

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Huh? Wow!, Lieyah Dagan

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The Wall as Commons, Raveena Deshpande

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Waterway: A Steam-Based Therapeutic Device System, Mingyuan Dong

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Tùn-Scene and A-Futurism: Biomythography, Opacity, and Posthuman Imagination, Minglu Du

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Strata: Portraits of the Alvarado & the Southwest, Kayla R. Duncan

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I BELIEVE, Rusudan Dushuashvili

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Boring Objects Bureau, Eric Fan

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Always More to Explore: Play and Resilience in Community-Based Artmaking, Charlotte T. Faubert

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Reading Exercise (You Are the Hero): Dedicated to the Providence River Under the Mall, 02.17.2026, Deborah Fischer

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"Hand and Mind Lead to Life": Craft Pedagogy in Art Education for Older Adolescent Learners, Katherine Fu

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Fetishismus:Facism, Sodomy, and the Exhibition, Matthew P. Gershovich

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Ambient Furniture, Andrew T. Goulet

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Dead Reckoning, Jeremy A. Grail

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Music as an Environment, Yuval Gur

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Love Letters to Insects: Affect-based science communication, Manuela Guzmán

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LACE MEMORY LAB, Xinyu Han

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Between nature and architecture : A dialogue of five elements, Niexiangyi He

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The Amplifier: Small Spaces, Loud Futures, Szewai Hong

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all the hours of light, Isabel Horgan

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How to Make a Jumpsuit, Xue Huang

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Until the Ground Breaks, Annie Hu

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Finding the Estuary, Rhea HU

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Useful Useless Object, Jisu Han Jung

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Beyond the Tampon (Menstrual Equity & Justice Certification), Rucha Kale

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Perceptual Heterotopia: A Spatial Experience through Light, Media, and Textiles, Anne Yeoji Kim

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The Marathon without Running: Experiencing a runner's sensorial journey, Harin Kim

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Recombobulation- Taking the Bad with the Good, Gregory T. Kmieciak

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Where my memory settles, Rachel Kobb

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Menstrual Muses: Art, Storytelling, and the Care-Based Communication of Menstrual Justice, Burcu Koleli

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DOMESTICATING DURATION, Xiaoyu Lan

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CHAIR FOR WORKPLACE MORALE, Alicia Lee

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Circling, Eun Yong Lee

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Frameworks, Hailey Lee

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Part-Time Faculty in Art and Design Higher Education: Support & Challenges, Katherine Ye Jin Lee

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Soft Space/Strong Support, Keqian Li

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Digital as Material, Ruoxi Li

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Within Boundaries: Collecting and Exhibiting Chinese Contemporary Art in M+, Hong Kong, Lei April Liu

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Where Forms Dream, Siran Liu

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After Yellow Horse: From Passive Shelter to a Self-Sustaining Cycle, Xinyuan Liu

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Not Reaching the End, Yiyun Liu

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Waiting for Memory to Expire, Yuanji Liu

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Specific Randomness, Xinyi Li

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Jewelry as a Portable Sanctuary, Yuhao Li

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Held In Sediment, Kati Lowe

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Post Desire, Lucy E. Luckovich

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Body In Process: Assembly, Control and the Medical Gaze, Fangzhou Lu

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Draw to Breathe, Ranran Ma

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The Porous Auto Body, Banshee Maria

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care ecologies between knots, Eliza R. Marris

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The Frame You're Holding, Andrea Mato

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Finding a Way Out of the Filter Bubble: The Confusion of a Heavy Social Media User, Longwen Miao

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The Root Over My Eyes, Shiyeon Monk

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Sous-Bois, Spencer G. Peterson

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Critical Connections: An evaluation and envisioning of partnership between art museums, schools, & central offices, Bennett R. Portillo

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numb., Anna Rapson

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Finding The Magic: On Kenning and Mediation, Anna L. Rasmussen

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Gray Sheep, Jennifer Richie

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Between Seeing and Knowing, Pavol Roskovensky

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Writing from the Rift: Queer Temporality and the Refusal of Resolution, Daniela Ruiz Perez

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Jadughar: The House of Magic, Dhruvi A. Shah

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A Body Stitched in Traces, Youyun Shang

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2'x2' : Situating Cohabitation, Liz B. Shepherd

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What Teachers See: Collaborative Artmaking in Chinese and U.S. Elementary Schools, Jiayu Shi

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Household Hegemon: Domestic and Affective Traces of US Influence in Mexico in the 1950s and 1990s, Edgar Solórzano

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The Home and the Self: On Perceptions of Feminine Virtue, Rebecca Stevens

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چھپن چھپائی (Chupan chupai), Muhammad Talha Mr

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Where the Walls Came Down: Reimagining the Disaster-Induced Modern Ruin, Zhenmi Tang

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Sites of Departure, Kevin Tomas

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1, 2, 2, 1, 1, 2, 1, 2, 2, 1, 2, 2, 1, 1, ..., AnneMarie Torresen

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Our Own, My Own: Expereinces with Art, Kaleisha Towle

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Breathing Structures: Hygroscopicity of fibers., Nawal Urooj and Nawal Urooj

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Made in Chimerica, Austin Wang

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Domestic Travelers: Transparent Machines, Hollow Bodies, Hanyi Wang

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Where Each Step Lands: Reconnecting and Reparenting Through Visual Narrative, Skye Wang

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A Thesis by an Art Student Trying to Find Meaning in Simulation Games, Yichuan Wang

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Material Costs, Karima Weinman

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For Now, Eriq Wities

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KEV's Dinghy Boat Workshops, Ruiyang Xiao