Date of Award

Spring 5-22-2026

Document Type

Thesis

Degree Name

Master of Fine Arts (MFA)

Department

Sculpture

First Advisor

Taylor Baldwin

Second Advisor

Isabel Mattia

Third Advisor

Gail Dodge

Abstract

This play uses the performative potential of guilt, forgiveness, and self-help techniques as a catalyst for a new dynamic, one in which the pursuit of a false narrative, along with the structures it generates, becomes more real than reality itself. It employs “bad acting” and the practice of cold reading to stage a series of acts that function as an entry point into one’s own psyche, leveraging the peripheral space around familiar actions to allow chance, free will, and the experience of “real time” to temporarily come into effect. PLAYER 1: The bad actor is the most utopian one. CLOWN: Let’s stay here for a moment. Knowledge *collapses the thing it touches. The drama unfolds as a sequence of actions around the Providence River. It begins at the level of the mall above, with a pre-recorded sales booth performer, and descends toward the river’s surface, its hidden history, and former configurations. Participants move through a structured reading exercise that gradually expands into an intimate performative situation: alone in a boat, accompanied by an actor-guide, passing through the touristic atmosphere of the Italian gondolas.

I’m not from here,

Truly yours,
DEBORAH FISCHER

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