On was an interdisciplinary graduate periodical established by RISD graduate students in 2006. It featured essays and student work that related to a general issue theme. On was intended as a quarterly publication, but it is unclear if further issues beyond the first were ever published.
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Suggestions pour étoffes et tapis : 60 motifs en couleur
Émile-Allain Séguy, Special Collections, and Fleet Library
[2] pages, 20 leaves of color plates ; 47 cm.
In portfolio. Pochoir prints.
Gift of Louisa D. Sharpe Metcalf.
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Oh, Yes a Pohlson Gift: gifts that make giving a pleasure
Pohlson Galleries, Special Collections, and Fleet Library
32, [8], 33-64 pages : illustrations, 23 cm. Profusely illustrated gift catalog, hundreds of fascinating and unusual objects offered for sale, many with a strong Art Deco visual or graphic aesthetic. "Farrington Printing Co., Boston."-- Index page. Color illustrations on covers. Includes catalog mail envelope, and small order envelope. Catalog envelope addressed to: Mrs. James P. Johnson, 150 Broad Street, New London, Conn. 2 cent stamp, postmarked, Boston, Mass. Catalog illustrators/designers include RISD Alumni.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 01
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 02
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 03
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 04
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 05
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 06
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 07
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 08
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 09
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1922, No. 10
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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RISD Football team on the steps of Waterman Building, 1921
Experimental and Foundation Studies Department
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 01
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 02
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 03
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 04
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 05
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 06
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 07
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 08
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 09
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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Gazette du bon ton: arts, modes et frivolités | 1921, No. 10
Lucien Vogel and Marcel Astruc
The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.
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En 19.020 avant J-C. Une occasion de fourrure. Un cas de divorce ...ou le mari récalcitrant
Fleet Library, Visual + Material Resources, and Chéri Hérouard
