On was an interdisciplinary graduate periodical established by RISD graduate students in 2006. It featured essays and student work that related to a general issue theme. On was intended as a quarterly publication, but it is unclear if further issues beyond the first were ever published.
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Gordon B. Washburn and Mary K. Rubio, Radeke Garden, Museum of Art
Carlos M. Rubio, Mary K. Rubio, Gordon B. Washburn, RISD Museum, and RISD Archives
Gordon B. Washburn and Mary K. Rubio in the Radeke Garden, Museum of Art.
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The Cliffs along cliff walk, Newport, RI
H. G. Settle Co., Newport, RI; Visual + Material Resources; and Fleet Library
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Dead Wrong
Stewart Stirling, Visual + Material Resources, and Fleet Library
Gift of Richard N. Hurley.
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Continuous quality is quality you trust | Coca-Cola
Visual + Material Resources and Fleet Library
Coca-Cola advertisement
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Neighborhood Club... Admission 5¢ | Coca-Cola
Visual + Material Resources and Fleet Library
Coca-Cola advertisement
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The Jolly Jump-Ups Robert Louis Stevenson's A Child's Garden of Verses
Geraldine Clyne, Special Collections, and Fleet Library
[12] pages : color illustrations. Title from cover. Text parallel to spine. Louis Stevenson's poems beautifully animated. The swing -- Marching song -- My shadow -- The land of counterpane -- Time to rise -- Bed in summer -- The little land -- Windy nights -- Rain -- Singing -- Fairy bread -- Happy thought -- Farewell to the farm -- Escape at bedtime -- The land of Nod. Page [4] of cover has a list of other Jolly Jump-ups books. Joyce & Jerry Hirsch Pop-Up Book Collection.
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Deadly Weapon
Wade Miller, Visual + Material Resources, and Fleet Library
Gift of Richard N. Hurley. Wade Miller is a pseudonym for Robert Allison "Bob" Wade and H. Bill Miller
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Future Books: Industry, Government, Science, Arts, Vol. IV Transformation
Marjory B. Milne, Special Collections, and Fleet Library
volumes illustrations (some color) portraits 30 cm. Editor: Marjorie B. Milne. Produced by Adprint. Cover illustration and design by G.A. Adams. Printed in photogravure by Harrison & Sons Ltd. London. Cover, binding and offset printing by Jerrold & Sons Ltd. Norwich. Advertisements in letterpress by W.S. Cowell Ltd. Ipswich; Alabaster Passmore & Sons Ltd. Maidstone; Thos. Forman & Sons Ltd. Nottingham. The photogravure and offset parts have been printed on Mellotex Paper made by Tullis Russell & Co. Ltd. Markinch Scotland. Information graphics. Casebinding. Library has Volume I. Overture & volume IV. Transformation.
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Soldier Art: Prize Winners In Special Services Art Contest
Infantry Journal, National Gallery of Art, Special Collections, and Fleet Library
196, [4] pages : illustrations (some color) .
Curated title for RISD Archives & Special Collections exhibition Now Hear This, fall 2023. "This is the first pressing of the 180 gram, yellow, four-sided LP, allowing for a higher sound quality..". -from publisher. "The How To Make Lemonade Box Set is a momentous tome and comprehensive look at Beyoncé's LEMONADE journey. The How To Make Lemonade Box Set gives unprecedented insight into the making of multiple award-winning LEMONADE, with a numbered, collector's edition coffee table book, double vinyl LP, and audio and visual album downloads. The 600+ page hardcover book includes hundreds of never-before-seen photos from the making of LEMONADE, and shows the inspiration and themes behind some of the film's most provocative and cryptic moments. The foreword is written by Dr. Michael Eric Dyson with poetry by Warsan Shire. Beyoncé's personal writing and lyrics are interwoven throughout the book. The 600+ page hardcover book includes hundreds of never-before-seen photos from the making of LEMONADE, and shows the inspiration and themes behind some of the film's most provocative and cryptic moments. The foreword is written by Dr. Michael Eric Dyson with poetry by Warsan Shire. Beyoncé's personal writing and lyrics are interwoven throughout the book..". -from publisher Library has copy no. 0461.-- stamped inside front cover.
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Daisy Kenyon
Elizabeth Janeway, Visual + Material Resources, and Fleet Library
Gift of Richard N. Hurley.
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Marines on Mt. Suribachi, Iwo Jima, Feb. 25, 1945
Joe Rosenthal
Associated Press News Photo by Joe Rosenthal
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Creations
Jef de Schilder, Special Collections, and Fleet Library
Date is approximate. 22 plates : all color illustrations (pochoir) ; 51 cm.
Title from cover. Pochoir prints. Includes additional cardboard sheet with the following in blue crayon: "originales, J de Schilder, 22 creations, Paris". In new portfolio with part of original cover mounted on new cover.
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The New Yorker Cartoons with the Talk of the Town
The New Yorker, Special Collections, and Fleet Library
[192] pages : illustrations. Edition of 5000 copies on light blue handmade paper. Text in two columns, German and Italian. Designed by Franco Maria Ricci. Black silk cloth binding with lettering and decorations in gold stamp. Mounted color reproduction on cover. Case binding. In black cloth-covered drop-spine box. Library has copy no. 2831. Signed by Franco Ricci. Gift of Robert Morrow of the Frank Morrow Company.
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Government Gertie by One
Dorothy A. Bond, Special Collections, and Fleet Library
36 unnumbered pages : chiefly illustrations, 14 x 22 cm. Cover title. "Dedicated with sincere admiration to that perfectly swell girl --the government clerk"--Page 1 "Copyright 1944 by Dorothy A. Bond"--Page 1 "These cartoons good-naturedly satirize the harried life of the World War II-era government clerk. The women portrayed by Bond ... are overworked, bothered by their bosses, rushing to catch the train, stressed by their friendships and their relationships with their mothers, and stumbling in to work in the morning after a long night out. Bond's irreverent humor is obvious in every page, especially in her parody profiles of the types of women one finds working in clerk positions ..." --Michael .R. Thompson Rare Books info sheet. First printed Sept. 1944; Library has 3rd printing, Nov. 1944. Signed by the artist on page [1]. Stapled. Illustrated cover printed in orange-red and black.
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Brown Palace Hotel (Original location: Drawer 17)
Special Collections and Fleet Library
FOlder contains 10 renderings on card stock/board, 1 correspondence, 47 blueprints, 30 drawings on vellum
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Brown Palace Hotel (Original location: Drawer 17)
Special Collections and Fleet Library
FOlder contains 10 renderings on card stock/board, 1 correspondence, 47 blueprints, 30 drawings on vellum
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Brown Palace Hotel (Original location: Drawer 17)
Special Collections and Fleet Library
FOlder contains 10 renderings on card stock/board, 1 correspondence, 47 blueprints, 30 drawings on vellum
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Brown Palace Hotel (Original location: Drawer 17)
Special Collections and Fleet Library
FOlder contains 10 renderings on card stock/board, 1 correspondence, 47 blueprints, 30 drawings on vellum
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Ralston | Whole Wheat Cereal
Visual + Material Resources and Fleet Library
Cereal magazine advertisements
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Correspondence August 03, 1943
Brown/ RISD
Correspondence between Wriston of Brown University and Washburn of the RISD Museum of Art. Wriston says that there's no need for a meeting about the Community Art Project. Wriston says that it's easy to talk about cooperation between Brown University and RISD's role in the Community Art Project but hard to achieve in real life.
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Correspondence August 04, 1943
Brown/ RISD
Correspondence of August 4, 1943 between Gordon Washburn, director of the RISD Museum of Art and Henry Wriston of Brown University concerning the demise of the Community Art Project.
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Correspondence August 04, 1943
Brown/ RISD
Correspondence between Gordon Washburn, director of the RISD Museum of Art and Henry Wriston, President of Brown University dated August 4, 1943. Washburn would like to arrange a meeting with Wriston and anyone else concerning the Community Art Project. Washburn feels that because he is a newcomer maybe he doesn't see the whole picture.
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Correspondence August 04, 1943
Brown/ RISD
Correspondence from Henry Wriston, President of Brown University to Robert Lester of the Carnegie Corporation of New York dated August 4, 1943. Wriston states the demise of the Community Art Project not due to lack of funds but fatigue in cooperation between Brown University and RISD. He thought that this was a step backward for both institutions.
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Correspondence August 06, 1943
Brown/ RISD
Correspondence between President Henry Wriston of Brown University and the secretary of the Carnegie Corporation of New York concerning the demise of the Community Art Project. The secretary said that maybe the Community Art Project could possibly be revived in the future.
