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Home > Special Collections Books > Illustration

Illustration

 
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  • See Saw, Margery Daw by Jessie Willcox Smith; Colgate & Company; Dodd, Meade & Company; Special Collections; and Fleet Library

    See Saw, Margery Daw

    Jessie Willcox Smith; Colgate & Company; Dodd, Meade & Company; Special Collections; and Fleet Library

    11 of a set of 12 booklets : illustrations (some color); 9 x 14 cm. Title adapted from covers. 1 of a set of 12 nursery rhyme pamphlets with cover designs and text illustrations adapted from the Jessie Willcox Smith Mother Goose (New York: Dodd, Mead & Co., c1914). Part of a Colgate promotional campaign? Good Housekeeping Magazine copyright notice on front covers. Color illustrations on cover; b&w in text. Each booklet is eight numbered pages. Illustrated advertisement for Colgate toothpaste on the pages [2] & [3] of covers. SET CONTENTS: Little Bo Peep -- Jack and Jill went up the Hill -- Little Miss Muffet sat on a tuffet -- Rain, rain, go away -- Ring around the Rosie -- Mary, Mary, quite contrary -- Curly Locks, Curly Locks, Wilt thou be mine? -- Peter Peter pumpkin eater -- Hush-a-bye-Baby, On the tree top -- One foot up, the foot down -- See Saw, Margery Daw. Each title has "and other Mother Goose Melodies" as a cover sub-title. Chromolithographic cover illustrations. Each booklet stapled binding. Library is missing one of the 12 booklets (There was an old woman who lived in a shoe and other Mother Goose melodies). Curated title for Fleet Library Special Collections exhibition By Hand: Women & Books Exhibit fall, 2021.

  • The Holy Land by Robert Hitchens, Jules Guerin, Special Collections, and Fleet Library

    The Holy Land

    Robert Hitchens, Jules Guerin, Special Collections, and Fleet Library

    x, 302 pages : color frontispiece, illustrations, plates (some color). Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Title page within ornamental border, printed in black and brown, text page headers also printed in brown. Bound in green publisher's illustrated cloth binding with a stamped image in green, red, blue and gilt on the front cover, representing a view of Nazareth from an illustration by Jules Guerin. The spine has the title and author in gilt with a frame around the title. CONTENTS: Baalbec, the town of the sun -- The spell of Damascus -- From Damascus to Nazareth -- From Nazareth to Jerusalem -- From Jericho to Bethlehem -- Jerusalem -- The Church of the Holy Sepulcher, the ceremonies at Jerusalem. Color plates have printed guard sheets, text printed in red. Gold leaf top side of text. Side and bottom text have deckled edges. Book design by Decorative Designers (Firm); Designers monogram, overlapped DD, with the second D reversed, on cover design. Gift of the Estate of Gino Conti.

  • A Child's Book of Old Verses by Jessie Willcox Smith

    A Child's Book of Old Verses

    Jessie Willcox Smith

    ix, 124 pages, [10] leaves of plates : illus. (some color). Illustrated lining-papers. Each plate accompanied by guard sheet with descriptive letterpress. Gift of Mr. and Mrs. Douglas Wetherell. Curated title for Fleet Library Special Collections exhibition By Hand: Women & Books Exhibit fall, 2021.

  • Italian Hours by Henery James, Joseph Pennell, Special Collections, and Fleet Library

    Italian Hours

    Henery James, Joseph Pennell, Special Collections, and Fleet Library

    ix, 504 pages, [32] color plates. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. "The chapters of which this volume is composed have with few exceptions already been collected." -Preface.

  • Flower of the Dusk by Myrtle Reed, Special Collections, and Fleet Library

    Flower of the Dusk

    Myrtle Reed, Special Collections, and Fleet Library

    iv, 341 pages : color frontispiece illustration. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Decorated cloth binding signed by the designer: MA [Margaret Armstrong]. Lilac color cloth binding, lettering and illustration emboss in white and gold. Title page and text pages printed in black and red, all pages in frames. Top edge of text block gold gilt. Inside front cover, large bookplate of Gladys and Herbert Clark. Library copy printed October 1910. Case binding.

  • The Hanging of the Crane by Henry Wadsworth Longfellow, Arthur Ignatius Keller, Special Collections, and Fleet Library

    The Hanging of the Crane

    Henry Wadsworth Longfellow, Arthur Ignatius Keller, Special Collections, and Fleet Library

    30 ℓ. : 13 leaves of plates. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Title in green and black within ornamental border; decorations; initials in color. "Illustrations by Arthur I. Keller. Designs by Florence W. Swan." Book in poor condition, loose pages, in binder.

  • Eugene Field Reader by Alice Harris, Frank W. Cooley, Eugene Field, Special Collections, and Fleet Library

    Eugene Field Reader

    Alice Harris, Frank W. Cooley, Eugene Field, Special Collections, and Fleet Library

    4 preliminary leaves, 96 pages : color illustrations, 20 cm. Illustrated collection of the poems of Eugene Fields. Illustrated title page in color. Case binding, black stamp lettering, illustration stamped in blue and black. Gift of the Estate of Eleanor Fayerweather. Inscribed to Eleanor from Dorothy K., New York, May 1909.

  • Mother Goose's rhymes, chimes, and jingles : or the nursery treasure. by C. P. Heustis, Vincent L. Dill, Special Collections, and Fleet Library

    Mother Goose's rhymes, chimes, and jingles : or the nursery treasure.

    C. P. Heustis, Vincent L. Dill, Special Collections, and Fleet Library

    24 pages : illustrations ; 20 cm Rhymes with pictures. Caption title: Rhymes, chimes, and jingles; by Mother Goose. Hand colored illustration on cover. Illustration on title page. Cover title: Rhymes, chimes and jingles. Charles P. Hestis was located 104 Nassau St., New York, between 1843 and 1853. New York City directories list Huestis both as an individual publishing at 104 Nassau, and as a member of Huestis & Cozans between 1850 and 1852. Vincent L. Dill was active as a stereotyper in New York between 1826 and 1863. Lacking back cover.

  • William Morris : poet, craftsman, socialist by Elisabeth Luther Cary, Alice Cordelia Morse, Special Collections, and Fleet Library

    William Morris : poet, craftsman, socialist

    Elisabeth Luther Cary, Alice Cordelia Morse, Special Collections, and Fleet Library

    ix, 296 pages : plates, portraits, facsimiles. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Includes bibliography: pages 269-290 and index.Front cover design signed, "MA" (Margaret Armstrong) Library copy is missing title page and frontispiece. Gift of Walter R. & John A. Callender in the name of Walter Callender.

  • Sun Dials and Roses of Yesterday by Alice Morse Earle, Special Collections, and Fleet Library

    Sun Dials and Roses of Yesterday

    Alice Morse Earle, Special Collections, and Fleet Library

    xxiii, 461 pages : ill., plates. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Title within green ornamental border. "The Rosicrucians": p. 366-389. Both copies in Lowthorpe Collection.

  • The Blue Flower by Henry Van Dyke, Margaret Armstrong, Special Collections, and Fleet Library

    The Blue Flower

    Henry Van Dyke, Margaret Armstrong, Special Collections, and Fleet Library

    vii, [1] pages, 2 leaves, 298, [1] pages, 8 unnumbered leaves of plates : color frontispiece, plates. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. CONTENTS: The blue flower [from the German of Novalis] -- The source -- The mill -- Spy rock -- Wood-magic -- The other wise man -- A handful of clay -- The lost word -- The first Christmas-tree. Illustrations by J.R. Weguelin, Frank V. DuMond, Arthur Heming, Howard Pyle, and C.K. Linson. Title page printed in red and black. Decorated cloth binding, signed MA (Margaret Armstrong) Dark blue cloth, lettering and decoration emboss in gold, blue, and green. Top edge gold gilt. Case binding. Library copy November 1906 printing.

  • Bohemian Paris of To-day by W. C. Morrow, Edward Cucuel, Special Collections, and Fleet Library

    Bohemian Paris of To-day

    W. C. Morrow, Edward Cucuel, Special Collections, and Fleet Library

    321 p. : ill. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Title vignette. From the Library of Chester L. Dodge, Class of 1902

  • Poems of Cabin and Field by Paul Lawrence Dunbar, Special Collections, and Fleet Library

    Poems of Cabin and Field

    Paul Lawrence Dunbar, Special Collections, and Fleet Library

    125 pages : frontispiece, illustrations, portrait. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Illustrated with photographs by the Hampton Institute Camera Club and decorations by Alice Morse. CONTENTS: The deserted plantation -- Hunting song -- Little brown baby -- Chris'mus is a-comin' -- Signs of the times -- Time to tinker 'round -- Lullaby -- A banjo song. "University Press, John Wilson and Son, Cambridge, U.S.A."--title page verso. All pages in printer's decorative frame designed by Alice Morse. Decorated publisher's cloth binding designed by Alice Morse. Green cloth with plant stems printed in light green and flowers in orange, with author, title embossed in gold. Inscribed on front endpage, [in ink] Dr. John Douglas Johnson, from Louise, [in pencil] To, John Douglas Barabar Ann Johnson, from Nanna, 1931. SEI

  • The Golden Age by Kenneth Grahame, Maxfield Parrish, Special Collections, and Fleet Library

    The Golden Age

    Kenneth Grahame, Maxfield Parrish, Special Collections, and Fleet Library

    252 p., [19] leaves of plates : ill. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Illustrated title page and lining papers. Stamped cover illustration, also designed by Parrish. Each plate accompanied by descriptive cover sheet. The adventures of five brothers and sisters growing up in rural England in the late nineteenth century. c. 1 Gift of the Estate of Mrs. Murray S. Danforth ; c. 2 Gift of Richard Brown Baker (Circulates)

  • Home Life in Colonial Days by Alice Morse Earle, Special Collections, and Fleet Library

    Home Life in Colonial Days

    Alice Morse Earle, Special Collections, and Fleet Library

    xvi, 470 pages, [17] pages of plates : illus. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. CONTENTS: Homes of the colonists -- The light of other days -- The kitchen fireside -- The serving of meals -- Food from forest and sea -- Indian corn -- Meat and drink -- Flax culture and spinning -- Wool culture and spinning, with a postscript on cotton -- Hand-weaving -- Girls' occupations -- Dress of the colonists -- Jack-knife industries -- Travel, transportation, and taverns -- Sunday in the colonies -- Old-time flower gardens. The author reconstructs for us colonial life by describing in great detail manners, customs, dress, homes, and child life. Includes index. Title page printed with decorated frame in red. Cloth cover title and illustration designed to look like needlepoint.

  • L'Illustre Dompteur by P. Guigou, A. Vimar, Special Collections, and Fleet Library

    L'Illustre Dompteur

    P. Guigou, A. Vimar, Special Collections, and Fleet Library

    47, [1] pages : color illustrations ; 22 x 32 cm. Series: Libraririe Plon. Color illustration on title page. Pochoir illustrations. Cloth binding, color illustration mounted on cover.

    Julian L. Peabody collection, transferred from the RISD Museum.

  • Glimpses of unfamiliar Japan by Lafcadio Hearn, Sarah Eyman Whitman, Special Collections, and Fleet Library

    Glimpses of unfamiliar Japan

    Lafcadio Hearn, Sarah Eyman Whitman, Special Collections, and Fleet Library

    2 volumes. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Paged continuously. Includes index (volume 2) Volume 1 cover in green cloth with illustration and lettering in silver; volume 2 cover in yellow cloth with illustration and lettering in black. Gold leaf on top edges. Volume 1 has an engraved bookplate of Elisha Rhodes Brown, on front pastedown. Cover design attributed to Sarah Wyman Whitman. Gift of the Estate of Eleanor Fayerweather.

  • The Last Leaf : Poem by Oliver Wendell Holmes, Geroge Wharton Edwards, Francis Hopkinson Smith, Special Collections, and Fleet Library

    The Last Leaf : Poem

    Oliver Wendell Holmes, Geroge Wharton Edwards, Francis Hopkinson Smith, Special Collections, and Fleet Library

    [106] p. : chiefly ill., plates, facsim. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Illustrated title-page in black and red. "The phototype illustrations in this volume were printed by The Lewis Co." Illustration on cover with gold leaf. Vellum spine with gold title and author lettering. Gift of the Estate of Mrs. Murray S. Danforth.

  • The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire by Howard Pyle, Special Collections, and Fleet Library

    The Merry Adventures of Robin Hood of Great Renown in Nottinghamshire

    Howard Pyle, Special Collections, and Fleet Library

    xx, 296 p. : ill. . Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Recounts the adventures of Robin Hood, who slew a deer on a wager, became an outlaw in Sherwood Forest, and collected around him a merry band, including Little John, Allan a Dale, Friar Tuck, and Will Stutely. c.1--Gift of the Estate of William E. Brigham (SPECIAL) ; c.2--Gift of Louisa D. Sharpe Metcalf (CIRCULATES)

  • Selections from the poetry of Robert Herrick by Robert Herrick, Edwin Austin Abbey, Special Collections, and Fleet Library

    Selections from the poetry of Robert Herrick

    Robert Herrick, Edwin Austin Abbey, Special Collections, and Fleet Library

    vi, 188 pages : illus. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Cover title: Selections from the Hesperides & Noble numbers of Robert Herrick. Illustrated title-page with title in red. Preface signed: Austin Dobson. c. 1 Gift of Mrs. Gustav Radeke ; c. 2 From the library of Chester L. Dodge. 2nd copy in original embossed and illustrated cover. Binding design by Edwin Austin Abbey; front cover with gilt-stamped full cover sunburst design, yellow, red and black-stamped flower devices, & black and red-stamped decorative title lettering; all edges gilt. Art Nouveau design style.

  • The Old Farmer's Almanack by Robert Bailey Thomas, Special Collections, and Fleet Library

    The Old Farmer's Almanack

    Robert Bailey Thomas, Special Collections, and Fleet Library

    48 pages : illustrations. "Sold by the booksellers and traders throughout New England." At head of title: Number Seventy-Eight. This copy has cover wrappers printed with advertisements for businesses in New Bedford, Mass. Inside wrapper has publisher info: New Bedford: S. Hutchinson. This copy has a hole punched in the upper left hand corner of the cover, looped with a piece of string.

  • Draining for Profit and Draining for Health by Geroge Edwin Waring, Special Collections, and Fleet Library

    Draining for Profit and Draining for Health

    Geroge Edwin Waring, Special Collections, and Fleet Library

    252 pages : illustrations. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. New and revised edition. Includes index. First edition published: New York: O. Judd & Co., 1867. Decorated cloth binding, in brown cloth. Front and back cover boards have a band of decorative embossing at the top and at the bottom. At the center of the front cover board is a gold stamped motif of a figure digging a drainage ditch. To his side are additional tools and some drainage tiles. The image is signed Feely, lower right. Spine has some decorative stamping. Lowthorpe Collection. Feely, John, 1819-1878, cover designer.

  • The origin and progress of the art of writing : a connected narrative of the development of the art in its primeval phases in Egypt, China, and Mexico ... and its subsequent progress to the present day / by Henry Noel Humphreys ; illustrated by a number of specimens of the writing of all ages and a series of facsimiles from autograph letters from the fifteenth to the nineteenth century. by Henry Noel Humphreys, Special Collections, and Fleet Library

    The origin and progress of the art of writing : a connected narrative of the development of the art in its primeval phases in Egypt, China, and Mexico ... and its subsequent progress to the present day / by Henry Noel Humphreys ; illustrated by a number of specimens of the writing of all ages and a series of facsimiles from autograph letters from the fifteenth to the nineteenth century.

    Henry Noel Humphreys, Special Collections, and Fleet Library

    178 pages, 28 leaves of plates : facsimiles (some color). Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Spine title: History of writing. All color plates are signed: "H.N. Humphreys, Lith. Day & Son Lith.rs to The Queen." Marbled endpapers and pastedowns. Gilt edges. Cover is black papier mache with red backing paper. The design is the same on both covers. Binding design by Henry Noel Humphreys. Library copy is missing spine and is disbound. "The English firm Jackson & Sons held the patent for the papier-mâché bindings of the mid-1840s to 1860s that are associated with Henry Noel Humphreys. Intended to imitate medieval hand-carved bindings and architectural sculpture, so-called papier-mâché bindings were made from a molded mixture of plaster, a filler, and possibly actual papier-mâché and antimony." Unusual cover. Gift of David & Margot Nishimura.

  • The Preacher by Owen Jones, Special Collections, and Fleet Library

    The Preacher

    Owen Jones, Special Collections, and Fleet Library

    [36] pages : color illustrations. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Unusual cover: Ornate wooden binding produced with a heat-stamping machine by Remnant & Edmond. Title "carved" into wooden cover. Ornamental stamping on inside border. Black Morocco spine over ebonized wood boards; front cover with branch borders with titling 'vanity / of vanities / saith the / preacher all / is vanity', and entwined floral decorations framing central titling. Rear cover repeating front, except additional floral decorations replacing central titling. Spine with blind-stamped floral decorations and lettering. Black coated endpapers; turn-ins with gilt-stamped ornaments; all edges gilt. Binding design by Owen Jones. Gift of Mrs. Henry G. Russell. Edmonds & Remnants, binder.

  • The Miracles of Our Lord by Henry Noel Humphreys, Special Collections, and Fleet Library

    The Miracles of Our Lord

    Henry Noel Humphreys, Special Collections, and Fleet Library

    [1], 31, iv pages : color illustrations. Curated title for Fleet Library Special Collections book cover exhibition Bound to Please, fall 2022. Ornamental borders, and illustrations, in color. "Remarks of the illuminator. Descriptive index of the miracles" signed: H.N.H. [i.e. Henry Noel Humphreys] "The title-page contains a figure of the Saviour .. in a niche, ornamented in a style corresponding with the rest of the volume."--page iii. "It has been sought to render the [papier mâché] cover also appropriate, by enriching it with medallions representing the principal miracles; it has been partly taken from a .. cover in carved ivory, executed in the 12th century .. The designs of the medallions are original."--page iv. "The English firm Jackson & Sons held the patent for the papier-mâché bindings of the mid-1840s to 1860s that are associated with Henry Noel Humphreys. Intended to imitate medieval hand-carved bindings and architectural sculpture, so-called papier-mâché bindings were made from a molded mixture of plaster, a filler, and possibly actual papier-mâché and antimony."

 
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