Date of Award
Spring 5-22-2026
Document Type
Thesis
Degree Name
Master of Fine Arts (MFA)
Department
Printmaking
First Advisor
Andrew Raftery
Second Advisor
Daniel Heyman
Third Advisor
Qiaoyi Shi
Abstract
My practice centers on papermaking, printmaking, and artist books to explore fiber as both image and language. I treat paper not simply as a surface, but as a living material through which memory, labor, and history can be held. By making my own sheets from plant fibers, fungi, and other organic matter, I create works in which material and meaning are inseparable. Shaped by my engagement with the natural world, women’s history, and overlooked vernacular forms of knowledge, my work moves through cycles of life and death, presence and disappearance, fragility and resilience. My projects with mushrooms and mycelium led me to think about interconnectedness, hidden structures, and the importance of looking closely at what grows in the margins. This thinking later expanded into questions of women’s visibility, erasure, and resistance within historical and contemporary Chinese contexts. I am especially drawn to how women’s speech, testimony, and knowledge are censored, fragmented, or lost, and to forms of writing such as Nüshu that carry memory through intimate, fragile, and ritual structures. Through the gesture of making paper, I seek to call back women who have been erased from history and to assert the strength and persistence of their existence.
Recommended Citation
Liu, Yuqi, "破酆都 Calling Her Through the Gates" (2026). Masters Theses. 1697.
https://digitalcommons.risd.edu/masterstheses/1697
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.
Included in
Chinese Studies Commons, Fine Arts Commons, History of Gender Commons, Women's History Commons, Women's Studies Commons