Graphic Design Masters Theses
RISD’s graduate program in Graphic Design prepares students for professional practice by emphasizing the roles of social context, media and aesthetics in the production of visible language systems. As a reflection of the discipline itself, the program encourages a nimble and intelligent response to constant change and burgeoning technology, while building a strong foundation of formal, aesthetic and analytical knowledge.
Individual thesis investigation is central to the final year of MFA study and culminates in the comprehensive presentation of work representing an original voice for visual and verbal expression of design thinking. The thesis should be equal parts exploration, explanation, provocation and contribution. Guest critics participate throughout the year and in the year-end thesis review, which offers a forum for critical dialogue focused on each student’s contribution to the field of graphic design. All MFA candidates also submit a written thesis and as a group participate in the RISD Graduate Thesis Exhibition, a large-scale public show held annually.
These works are licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 License.
Theses from 2018
Field guide : collected studies of a symbiont, Jennifer Livermore
Tiny Diasporas, Angela Lorenzo
Reading rooms, Jinhwa Oh
Space, Junk, Brandon Olsen
Hyperlink : connecting space, time, language, and technology, Marie Otsuka
Constellations, Maria Rull Bescós
Squishy Play, Lauren Traugott-Campbell
Monument for feeling : Notes from the Archivist, Melissa Weiss
Theses from 2017
Otra vez : hierarchy as designer, Jordyn Alvidrez
Double takes : secular magic & empathic vision, Lake Buckley
Playgrounds, Cem Eskinazi
Content-aware : investigating tools, character & user behavior, Llewellyn Hensley
Standard Deviation, Wooksang Kwon
Space as a practiced place, Elizabeth Leeper
Frame-work, Drew Litowitz
1:1: Intertidal Thinking / (One to One: Intertidal Thinking), José R. Menéndez
Scripting allographs, June Shin
Our measured world : a poetic translation, Minryung Son
Identity production, Boyang Xia
Design syncopations, Mary Yang
Theses from 2016
Hyphen nation: a reconciliation, Lynn Amhaz
Rapid response, James Chae
Recalculating: Navigating in Mediated Spaces, Jessica Tzu-Ying Huang
Form, Content, and Form as Content, Bon Hae Koo
Continuum of significance, Diane Lee
Live edges: all possible adjacencies, Rebecca Leffell Koren
Casting Forward: proactivist studies in projection, Lisa J. Maione
Practice makes practice, Gabriel Melcher
Dimensional flatland: Beamer, drone, flash drive, Scarlett Xin Meng
Intertwined Pluralities: Designing in the Third Space, Sarah Mohammaddi
Traversing languagescapes, Desmond Pang
Over Several Networks: Designing Intimate Technologies, Sarah Jean Recht
Theses from 2015
Multiple influences: from witnessing language to performing it, Viviane Jalil
Speculative politics -fictionalized spectacle, Prin Limphongpand
Theses from 2014
Speculative archives : an index, Sameer Farooq
Learning to live in thick interface, Jonathan Hanahan
Procedural Pleasures: an algorithmic manifesto, Jerel Eugene Johnson
In and About: investigating Graphic Design in and about the digital landscape, Brienne Jones
Reconsider Everything, Hyunjin Kim
Re-inscribing History, Yoonkyung Kim
Events of Assembly: exploring the terms of co-production, Chloe Lee
Not not real : exercises in styling, Sophie Mascatello
Readily Available, Ali Shamas Qadeer
Theses from 2009
Forming process : design through layered visual systems and multiple collection methods : a thesis, Jen Magathan
Films from 1999
Oral History Interview with Malcom Grear, April 8, 1999, Malcom Grear, David Strout, RISD Archives, and Frank Muhly
