Artists' Books
This professional artist's books collection is housed in the Fleet Library Special Collections department. Special Collections includes nearly 18,000 important and rare printed books and periodicals that date from as early as the 16th century to present. Historical as well as contemporary materials cover the fine arts, architecture, photography, decorative arts, and design and provide supplemental and inspirational resources for students, faculty, and outside researchers.
The physical Artists’ Books Collection includes nearly 2,000 multiples, hand-made book objects, limited edition books, and zines dating from the mid-1960’s to present. The collection also includes numerous related book arts references and artists’ ephemera files. Featured collections include bookmaking process archives of internationally known book artists Carol Barton, Ruth Laxson and Angela Lorenz. This digital collection presents an abridged preview of each book. Visit 2nd Floor, Rm. 201 of the Fleet Library or contact risdspecial@risd.edu to view the collection in its entirety.
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My First Artists' Book
Carolyn Swiszcz, Amy Ciullo, Anna E. Kalmbach, Karen Munro, Women's Studio Workshop, Special Collections, and Fleet Library
[16] pages : color illus. Cover title. "This book was produced by the Women's Studio Workshop. It was illustrated by Carolyn Swiszcz. Concept and production by Amy Ciullo, Anna Kalmbach, Tana Kellner, Karen Munro and Carolyn Swiszcz."--Colophon. "This book was published by the New York State Council on the Arts State and Local Partnership Program's third annual conference, Arts at the Center"--Colophon. 1 leaf, accordion-folded and attached to stiff paper wrappers. Booklet ([12 pages ; 98 mm) with title, "Some thoughts about the book as an artistic medium," inserted. Printing method: Silkscreen in two colors. Structure: Throw-out accordion fold book.
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Little Red Witch : Little Red Riding Hood by The Brothers Grimm
Normandie Syken, Special Collections, and Fleet Library
1 volume (unpaged) : illustrations ; 58 x 63 cm. Adapted, retold, and illustrated by Normandie Syken. Library #7 of 10. Hardcover book has thirty three woodcuts and the text is screen printed. The cover is bound with red asashi book cloth and the image is a two colored screen print and hand painted on top. The book is bound with a stab binding and has custom endpapers. The story is a retelling of Little Red Riding Hood set during the Salem witch trials.
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America: Guests Who Came to Dinner (and Stayed)
Evelyn Terry, Special Collections, and Fleet Library
10 unnumbered pages (including cover) : color illustrations. Title from cover. "Series: America same title, same text - altered books #14"--Colophon. Collage materials: mixed media original prints, artist's hair, sewing thread, and handwritten text. Signed, dated, and series numbered on page [3] of cover. Curated title for Fleet Library Special Collections exhibition By Hand: Women & Books Exhibit fall, 2021.
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Artist's Book Ideation Cards
Barbara Tetenbaum, Julie Chen, Special Collections, and Fleet Library
108 cards : color illustrations. "Barb Tetenbaum developed the original set of artist's book ideation cards for use in her teaching practice. This version was further developed and designed in collaboration with Julie Chen"--Colophon card. Two decks of offset printed playing cards enclosed in an acrylic box. "The Artist's Book Ideation Cards deck was designed as an aid to the book artist, to jump start a new project or inform one in progress. There are two decks in the set: Category Cards containing approximately eight cards in each of the seven categories (text, image, structure, paper, layout, technique and color) and 54 Adjective Cards of which three are 'wild cards.' Choosing a card randomly from each of the seven categories and five cards from the adjectives offers an unexpected recipe for a project"--23 Sandy Gallery website. Digitally designed and offset printed. Open edition. Curated title for Fleet Library Special Collections exhibition By Hand: Women & Books Exhibit fall, 2021.
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Black Ice and Rain: Psalms 6.6
Barbara Tetenbaum, Special Collections, and Fleet Library
pamphlet stitch with hard cover and silk covered boards; cover; title page; interior pages; colophon. Michael Donaghy recounts a true story of love and loss, illustrated by Tetenbaum's use of very tactile dyed and collaged handmade paper.
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Gymnopaedia, second movement
Barbara Tetenbaum, Special Collections, and Fleet Library
pamphlet stitch variation with hard cover; cover; title page; interior spread; colophon. Reflecting the music of Erik Satie who composed several "Gymnopaedia", an antique ledger forms the visual foundation for playful layers of "toe-tapping" imagery.
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American Manifesto
Todd M. Thyberg, Special Collections, and Fleet Library
12 unnumbered pages : color illustrations, map . "With a tip of the hat to printers and activists of the past, American Manifesto calls the United States citizens to action on a number of national concerns--our country's health, leadership, and environment, to name a few"--Artist's statement at the Vamp & Tramp Booksellers' website, viewed on September 1, 2015. "If America really is the best country on earth... why do so many of our people go hungry? Why do our leaders consistently work for corporate interests rather than individuals' rights? How can our leaders, the media, and we the public still be ignorant to the factual reality of climate change? Why can someone go to prison for a minor drug offense while the people who brought our economy to its knees still receive bonuses? Why are we still taking off our shoes to fly? How can 2/3 of American's population be overweight when people here and around the world go hungry? How is it acceptable to make fuel from food? Why don't we Americans question policies?"--Cover page 4. "Letterpress printed in three colors on a Heidelberg 10x15 Windmill. Printed on 100% cotton Crane Lettra Pearl White in Solano, Gotham, and Kaine typefaces. [Single signature stapled] in Condenons So. Wool Red Tartan paper wraps"--Vamp & Tramp Booksellers' website, viewed on September 1, 2015. Includes references sheet laid in. Cover letterpress printed in black on red. Staple binding
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Calico Ghosts: a photographic portrait of a silver mining town
Jill Timm, Special Collections, and Fleet Library
perfect bound variation (?) with fold-out pages. Paper-covered boards, foil stamped title; cover; title page; interior pages and spreads; . Color photographs of an abandoned California mining town are populated with black and white photographs of 19th century people, placed as translucent overlays.
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Sunrise 1
Jill Timm, Special Collections, and Fleet Library
accordion variation with three cascading panels, housed in silk covered slipcase; box cover; cover; interior spreads. Tinted sky and mountains, printed on three unfolding panels reveal a peaceful sunrise landscape.
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River D: The Shortest River in The World
Jill Timm, Mystical Places Press, Special Collections, and Fleet Library
[12] pages : color ill., map . "Limited edition of 32."-- Colophon, page [3] of cover.
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Six by Six by Six
Richard Tipping, Special Collections, and Fleet Library
[6] pages. "Richard Tipping, wordworks ; Dikko Faust, hand typography ; Esther K. Smith, art direction"--Colophon. "6 by 6 inch edition of 6 x 6 x 6 = 216, on all rag museum board"--Colophon. Signed by each of the authors and numbered. Accordion binding. Library has copy no. 215.
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This Original Self
Sandra Turley, Women's Studio Workshop, Special Collections, and Fleet Library
[12] pages : illus. "This book was published at the Women's Studio Workshop..using a method of devore printing, a process of burning away the natural fibers."--Colophon. Printing method: Letterpress, devore screen print. Structure: Accordion fold book.
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Night
Patty Tyrol, Special Collections, and Fleet Library
Printing method: Silkscreen, collagraph. Binding: single signature sewn pamphlet. Printing method: Silkscreen, collagraph Binding: single signature sewn pamphlet
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Power Pop
UG, Special Collections, and Fleet Library
1 volume, 10 unnumbered pages. Cover title. Publisher name, copyright date, and edition number from page [4] of cover. Edition of 100. First and last pages are pastedowns. Five double-pages pop-ups, silkscreen-printed in pixilated style of the 8-bit video and arcade games of the 1980s. Illustrations depict cityscapes and robots.
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Altered Book
Unknown. Possibly RISD Student., Special Collections, and Fleet Library
1 object. Altered book, consists of a portion of the spine (blue buckram) and a small part of the text block. Portions of words and illustrations can be seen as pages are flipped. Possibly made by a Rhode Island School of Design student. Donated to the library by Jan Baker, a former graphic design instructor who taught classes in artists' books. Case binding. Text in English. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.
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Hilur
Cecilia Vacuña, University of Massachusetts Dartmouth Art Gallery, Special Collections, and Fleet Library
1 scroll ; in cardboard box + 1 stick + 1 bookmar. "This scroll consists of text handwritten by the artist in russet ink of Chinese writing paper wrapped with interleafing tissue. The text reads: Threads become words and words become threads - on the other side. The title 'Hilar' mixes the Spanish 'hilo' with the English 'lure.'"--Bookmark. "This edition was done on the occasion of the artist's installation K'isa at the University Art Gallery, University of Massachusetts, Dartmouth, October 27 to December 12, 1997"--Bookmark. Library has a Tlön Studio proof. Signed by the artist. Given by the RISD Museum on behalf of donor Lasse Antonsen.
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New Horizons
Bruno van den Elshout, Special Collections, and Fleet Library
212 pages : all color illustrations. Title from case. Edition of 2012 numbered copies. Flatbook. Issued in paper wrapper and slipcase. Book design: Rob van Hoesel. On New Years Eve 2011 artist Bruno van den Elshout launches his camera-machine on the roof of a hotel on the beach in The Hague (NL). His goal is to capture the North Sea-horizon one year round. The camera-machine takes a picture of the horizon once every hour of 2012. That is 8,785 images. When these images start to arrive from the machine, the horizon suddenly reveals his surprisingly overwhelming appearance. Gray, grim, ordinary, or wild, waving, with skies reminiscent of The Hague School paintings in the late 19th century. Sometimes tranquil misty, unreal calm or bombastically colorful. The result is an incredibly surprising collection of images.
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Seven Lady Saintes
Erica Van Horn, Special Collections, and Fleet Library
1 folded sheet ([16] leaves : color illus. Two sheets attached lengthwise and folded to form an accordion fold; in envelope made of plastic and string. Printing method: Silkscreen in four colors
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Tumbling Blocks for Pris and Bruce
Claire Van Vliet, Special Collections, and Fleet Library
[14] leaves : all color illus.. An Alphabet book. "Tumbling Blocks is a little cut alphabet created from the offcuts from Praise Basted In, the design of which, left an intriguing number of small folios of hand made papers. It will spiral in several ways or stand in a circle- tumble in your hands, but will always fall back into place if you let it. The cube box is folded with two papers that hold each other in place without needing glue"--'Note for standing order patrons' accompanying book. Each leaf consists of two cut letters glued back to back; leaves folded and glued to permit book to open into a variety of shapes. Issued in paper box laid in plastic container (7 x 7 x 7 cm.) Library has copy no. 62 of an edition of 200 signed and numbered by the authors.
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Lunar Calculations
Katherine Venturelli, Special Collections, and Fleet Library
3 folded sheets. Publication information from Vamp & Tramp Booksellers website. Variable edition of 5. "Three Turkish map folds. A three-dimensional celestial map intaglio printed on white Lenox print papers. Bound in black linen book cloth over boards. Embossed circle on boards. Cord loop on each board to facilitate hanging"--Vamp & Tramp Booksellers website (accessed November 8, 2016). "Lunar Calculations is a book which opens up into a three-dimensional celestial map. My etched imagery printed on the interiors and exteriors of the pop out pages are lunar phases and mathematical symbols which are archetypal symbols that I have utilized in my on-going work. The book can be displayed by hanging it from the ceiling or on a wall. I selected the Turkish map fold/pop out format for two reasons. One, it enables the lunar and mathematical imagery to be viewed as if it were a celestial map, and two, the pop-out structure element captures and recreates the excitement of infinite possibilities"--Artist's statement, Vamp & Tramp Booksellers website (accessed November 8, 2016). Includes wooden stand.
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The Self Inside the House
Susan Viguers, Special Collections, and Fleet Library
pamphlet stitch variation, made from one folded piece of paper, with pop-up elements, enclosed in a paper wrapper; cover; cover (without slipcase); interior spreads and page; colophon. Using architecture as a metaphor, the artist muses on the aging process and how what is on the outside of us does not always reflect the real self, the part of us that is inside.
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Berlin and Phenomena
Wolf Vostell, Special Collections, and Fleet Library
14 pages. A Great Bear Pamphlet ; no. 9. Cover title. Translation of: 2 dé-coll/age-happenings. "Translated by Laura P. Williams"--Page 14. Paper wrapper, stapled. Gift of Estera Milman, RISD Class of 1970. Estera Milman (RISD BFA Painting/Printmaking and Film, 1970) scholar of post-World War II avant-garde art. Founded Alternative Traditions in Contemporary Art (ATCA) at the University of Iowa, 1982, and served as its director until 2000. She is the author of many books, articles, interviews, and exhibition catalogs on Fluxus and No!art. In December 2018 she donated a selection books from her library to the Fleet Library at RISD. Curated title for Fleet Library Special Collections exhibition By Hand: Women & Books Exhibit fall, 2021.
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Library in a Book: seven books in one
Mark Wagner, Special Collections, and Fleet Library
screw post bound album; pages have a variety of types of pockets with assorted small books in them; cover; first opening; interior pages. Using library ephemera such as catalog cards, date due slips, date stamps and more, assorted small artists' books are bound an album giving the the feel of a traveling library.
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Smoke in my Dreams
Mark Wagner, Special Collections, and Fleet Library
case bound in hard cover with exposed spine and paper covered boards; cover; interior spreads and pages. Using images of tobacco processing machines, wafting smoke, ephemera such as maps, hospital parking lot tickets and all the paper found in a pack of Camel cigarettes, the artist conveys his longing to be able to smoke in his dreams, a far safer option than smoking
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Freedom: A Fable
Kara Walker, Special Collections, and Fleet Library
1 volume, 19 pages. "A Curious interpretation of the wit of a negree in troubled times, with illustrations.. Presented to you this Christmas '97 by the Peter Norton Family, benefactors." "The Future vision of a soon-to-be emancipated 19th century Negress"--Preliminary leaf. Edition of 4000. Pop-up design by David Eisen, Architects, Inc. Boston, MA ; Laser cutting by Lasercraft, Inc. Santa Rosa, CA ; Text designed by Timothy Silverlake, Valencia, CA ; Printed by Typecraft, Inc. Pasadena, CA. ; Binding by Roswell Book Binders, Phoenix, AZ.
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Martha
Shu-Ju Wang, Special Collections, and Fleet Library
1 volume, 26 pages. Cover title. "Gocco printed from original text and design by Shu-Ju Wang. Individual prints by Martha Pomeranz."--Colophon. "Relay Replay Press is dedicated to working with seniors with dementia to create artist's books that illuminate the creative lives of the elderly."--Artist's statement at Vamp & Tramp Booksellers website. Limited ed. of 20 copies. "Martha designed and Gocco printed the individual prints; I designed and Gocco printed the envelopes and the cover. The cover was also dyed with a very diluted acrylic paint; on Rives Lightweight, Nepal Light, and Nepal Heavyweight. Martha took to the Print Gocco like fish to water. She created 18 prints, each full of wonderful little observations about her daily life and sage advice. I thought her prints were like letters to her friends and family, and therefore chose a page format that referenced an envelope form. The book has extra pockets for her to add photographs or keepsakes, and the wrap around cover keeps everything together."--Artist's statement at Vamp & Tramp Booksellers website. Consists of 9 envelope pages to house two prints each. Gocco printed on Rives Lightweight; Nepal Light & Heavyweight. Back cover is extended flap that wraps around to the front with a ribbon and button closure. Blanket stitch around the cover edges. Binding is "Blizzard books", and structure invented by Hedi Kyle.
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Diary of a Sparrow
Kazuko Watanabe, Special Collections, and Fleet Library
accordion variation with sections that pull out to create "rooms"; cover; interior pages. Diaries of the artist's grandfather are translated and reproduced as chapters. These chapters, illustrated with abstract imagery, combine with an unfolding structure to create 3 rooms and a sense of place.
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Superstition Highway
Marshall Weber, Special Collections, and Fleet Library
case bound with cloth spine, paper covered boards, hand painted; cover; interior spreads. Reading almost like a drug-induced trip, Marshall Weber writes of a tough patch of road somewhere in the desert West where strange folk appear. Images and text all hand painted by Fred Rinne.
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Fabrik
Linda Welch, Special Collections, and Fleet Library
84 unnumbered pages : color illustrations. Title from book cover. Unique artist book, signed by artist on page [3] of cover. Coptic binding. Pages incorporate acrylic painting, screen print ink, found papers, book board. "A visual flipbook of text, color and pattern," this one-of-a-kind painted book is by Linda Welch. Her abstract, layered, mixed media books incorporate oil painting, collage, screen printing, found book pages and wax."--23 Sandy Gallery website. Curated title for Fleet Library Special Collections exhibition Stacked & Altered, summer 2022.
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Night Vision
Anne West, Special Collections, and Fleet Library
French fold pages, perfect bound in hard cover, enclosed in slipcase with magnetic flap closure. Box cover; cover; title page; interior pages and spreads. Anne West's poetry is lushly illustrated with images of night blooming flowers drawn by Deborah Wieder. The rich, fertile, earthy feminine side of life is embodied in the night garden.
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Place of the Long River
W.D. Wetherell, Special Collections, and Fleet Library
1 volume (unpaged) : color ill. Limited ed. of 125 copies, signed by writers and artist. Bound in blue cloth streaked with brown threads with small woodcut on paper attached to front board; tail edges deckled. Map on lining papers. Visual images and design, copyright by Jim Lee, 1995. Library has copy number 71. Sally Hume Lincoln Memorial Fund.
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Tea, C, D&C / cycles interrupted
Amy Wilson, Women's Studio Workshop, Special Collections, and Fleet Library
[36] pages. "Printed at the Visual Studies Workshop Press .. in an anticipated edition of 500, In February 1994"--Colophon.
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A Dictionary Story
Sam Winston, Special Collections, and Fleet Library
accordion fold with hard cover, housed in cloth covered slipcase. Slipcase cover; title page; interior pages; colophon. A dictionary longs to be a book of stories, not just a list of words and definitions. She gets into trouble when she lets her words run about, creating meaningless havoc. The alphabet comes to the rescue and restores order.
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Reading Closed Books
Sam Winston, Special Collections, and Fleet Library
3 volumes. Title from slipcase cover. "This is the first printing.. in an edition of 34 copies with 5 artist's proofs"--Colophon. "This book is printed using a HP Indigo press with GRACoL and Fogra certified HP Indigo Ink.. Hand binding by Haein Song.. Body text is set in Dante MT Pro and Pitch Sans. Book design by Matthew Appleton at Modern Activity with additional design assistance from Pietro Martini. Photography by Andy Sewell and Sam Winston"--Absorbing Light colophon. "Each book has a unique handwritten colophon and title page -- whilst these words were being written the sound of a printer was humbing [sic] away in the studio"--Absorbing Space colophon. "This book is archival inkjet printed onto 54gsm Tosa Shi sheet.. Handbinding by Haein Song in Colorado Seine bookcloth. Body text is set in Dante MT Pro. Book fore-edge photography by Pietro Martini"--Becoming Dust colophon. Issued in a cloth-covered slipcase; each volume signed by the artist. Becoming Dust is bound in an accordion fold format.
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Counting: a book of lists
Janine Wong, Special Collections, and Fleet Library
accordion, dos à dos, uncovered spine with two cloth covered boards; a cloth covered board folder wraps around the book and all enclosed in a cloth covered slipcase, with foil stamped title. Cover; interior pages. Taking bits of information found in old journal entries, calendars, shopping and to-do lists, the artist notes the roles she plays as wife, mother, professor, administrator, architect, and book artist. Found lists are digitally reproduced with letterpress.
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Xiong mao = [Panda]
Xichan, Special Collections, and Fleet Library
10 unnumbered pages : all color illustrations. Title from label mounted to cover. Handpainted? ink and watercolor, black, grey, and green. Artist name from red ink stamp on last page. 惜春. Cover boards in green cloth with a repeating pattern printed in dark green and blue. Title and stamp in Chinese characters. Accordion fold. Gift of Jan Baker.
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Hybrid Cartographies: Seoul's Consuming Spaces
Jeannie Meejin Yoon, Special Collections, and Fleet Library
1 folded sheet. "Text/ photographs/ concept/ design, Jeannie Meejin Yoon" Accordion fold, printed both sides of single sheet. Artists' statement: like my experience of the city, this detour/map is not linear. it has been laid out on the front and back of a 60 cm x 60 cm flat surface. A 12 cm by 12 cm module was inscribed to create a 25 square grid on both sides. the surface was in turn cut along the module line, beginning on the bottom right hand corner and spiralling inward the center module. the manipulate surface was then folded in on itself in such a way as to connect the center-front module to the corner-back module -- an obtuse way of arriving at a moebius strip. when completely unfolded, it has no beginning and no end, no front and no back, no inside and no outside. This was my experience of Seoul. Hybrid cartographie, about three building projects in the modern city of Seoul, Korea is a maze book-- made up of complex folds as in an accordion book but twisting and moving in multiple directions as it is unfolded. When completely unfolded the book's pages formthe shape of a mobius strip. Directions for unfolding the book are found on each page in the form of arrows and instructions, but the reader is warned at the beginning that the book is both a map and a detour. Includes bibliographical references.
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Memories of Science
Dorothy A. Yule, Special Collections, and Fleet Library
Limited edition of fifty copies, signed and numbered by the artist. "Typeset in Garamond, Latin Condensed and Copperplate, designed with Adobe CS5 and letterpress printed on Mohawk Superfine. Engravings are from the Dover Pictorial Archives and 'The complete encyclopedia of illustration' by Johann Georg Heck. Star maps.. by Susan Hunt Yule. Music.. by Doug Yule. lyrics.. by Dorothy A. Yule"--Colophon. "Recorded, mixed and mastered at: Avast! Studio, Seattle, Washington. Engineer: Jonny Mendoza; Produced by Doug Yule and Jonny Mendoza. Performed by Big Red Dog. Doug Yule: Guitar, Vox, Shakers. Cary Lung: Mandolins. Tom Collicott: Guitar. Dan Yule: Violin, Bass"--Audio disc. Accordion folded structure held by paper sleeves on both sides; includes five pop-ups. Accordion is fitted into a glass topped box with tray on the bottom holding 3" audio disc. Full size audio disc included separately. Also includes a booklet titled "Serving suggestions: practical considerations for enjoying your book", with illustrations by Susan Hunt Yule. Accordion and 3" audio disc have copyright date 2011. 4 3/4" audio disc is dated 2012. "Serving suggestions" booklet dated 2014.
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A Single {frame}
Liya Zhu, Special Collections, and Fleet Library
1 volume, 6 pages. Numbered edition of 12 copies. "printed in Caslon Old Style on French paper with watercolor and lino-cuts"--colophon. ".. [Produced] spring 2019 [for] Art 136: The Artist's Book course, taught by Tia Blassingame"--colophon. Combines handset letterpress, linocuts, watercolor, papercutting and an interactive element to express the significance of self."--Scripts Press.
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Cacaform Birds
Yingchun Zhu, Special Collections, and Fleet Library
Third chapter (Key) is sealed. "The book contains three parts, the first containing doctored photographs that show these birds interacting with sepia cityscapes, alternately goggled at and overlooked by the passers-by. The second introduces us to each individual species through poetic verse, while the third section must be carefully unsealed by the reader in order to reveal how the Cacaform Birds came into being."--Publisher's description. Step into the world of Cacaform Birds - a world that exists a half-pace to one side of our own, at the confluence of imagination, art and reality. Within these pages we meet the 'Glowerspite' (often dozes in a supine position; converts its tail to a head when startled) and the 'Mare-away' (who carries a small black troll on its back and rouses dreamers from night terrors), along with many more: a fantastical aviary brought to life by Zhu Yingchun's art. The book contains three parts, the first containing doctored photographs that show these birds interacting with sepia cityscapes, alternately goggled at and overlooked by the passers-by. The second introduces us to each individual species through poetic verse, while the third section must be carefully unsealed by the reader in order to reveal how the Cacaform Birds came into being. A blend of bestiary, spotter's guide and poetic anthology, this book demonstrates that art and amusement can be found everywhere, if you only care to look.
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Delirium
Philip Zimmermann, Special Collections, and Fleet Library
60 unnumbered pages : color illustrations Printed by archival inkjet in a numbered edition of 30 copies, signed. "Delirium is a book born of the Covid-19 pandemic and time spent in lock-down. The text uses a paragraph from the 1866 masterpiece "Crime and Punishment" by Fyodor Dostoyevsky. Towards the end of the book, his protagonist, Rodion Romanovich Raskolnikov, has a feverish dream. This strangely prophetic text is quoted and used as the narrative line in this book. Highly manipluated images of jewel-like approximations of the corona virus appeared all over the web in the first few months of the pandemic and serve as the illustrations"--information sheet laid in. "Delirium is printed in 2020 by archival inkjet on acid-free Mohawk paper in a signed and numbered edition of 30. It has been handbound by the artist. The font used is Northwoods, by Cultivated Mind Foundry in Vancouver, BC, Canada. It was chosen because it is similar to a 19th century schoolbook printer typeface, yet still appears quite modern. Like many of their fonts, Northwoods was originally created with a sign-painters brush."--Colophon. Mounted sticker on box: Winner of 2020 AIGA 50 Books / 50 Covers, one of best 50 books of 2020. Library has copy no. 25. In phase box.
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Emotional Reactions
Janet Zweig, Special Collections, and Fleet Library
47 pages : illus.. RISD Faculty.
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Heinz and Judy : A Play
Janet Zweig, Special Collections, and Fleet Library
[20] pages : illus. (some color. RISD Faculty.
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The 336 Lines Currently Expurgated from Shakespeare's Romeo and Juliet in Ninth Grade Textbooks
Janet Zweig, Special Collections, and Fleet Library
[12] pages. Gift of the author, RISD Faculty.
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Things Don't Always Fall Into Place
Janet Zweig, Special Collections, and Fleet Library
[16] pages : color illustrations. Cover title. "I separated the colors of these things directly onto black and white film by photographing each 4 times through the color filters that are the complements of process printing inks. Tom Sullivan recombined their colors on the Heidelberg Kord offset press at the Visual Studies Workshop, Rochester, N.Y."--Colophon. RISD Faculty. Offset, experimental, printing. Pamphlet stitch. Paper cover includes a color reproduction of a Nancy comic strip panel. 2nd copy gift of the RISD Photography Resource Center.
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This Book is Extremely Receptive
Janet Zweig, Special Collections, and Fleet Library
[144] pages : illustrations. Title and statement of responsibility span three leaves. "Printed at Pyramid Atlantic, Washington, DC by Brad Freeman. Bound by Mueller Trade Bindery, Middletown, CT"--Colophon. Sewn signatures glued into a reflective silver paper wrapper. A flip book with three lines on each page. Each line presents a narrative throughout the book. "Television text transcribed from The Burns and Allen Show, The Honeymooners, The Love Connection, The New Newlywed Game, The People's Court."--colophon.