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  San Francisco Comic Book, No. 2

  Gary Arlington (managing editor), Special Collections, and Fleet Library

  The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Mickey Rat, No. 1

  Robert Armstrong, Special Collections, and Fleet Library

  volumes : illustrations. Title from indicia. Library has nos. 1-4 (1972-1982) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Mickey Rat, No. 2

  Robert E. Armstrong, Special Collections, and Fleet Library

  volumes : illustrations. Title from indicia. Library has nos. 1-4 (1972-1982) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Mickey Rat, No. 4

  Robert E. Armstrong, Special Collections, and Fleet Library

  volumes : illustrations. Title from indicia. Library has nos. 1-4 (1972-1982) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Mickey Rat, No. 3

  Robert E. Armstrong, Special Collections, and Fleet Library

  volumes : illustrations. Title from indicia. Library has nos. 1-4 (1972-1982) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Comic Book Confidential

  Mark Askwith (design); bpNichol (design); Chester Brown (illustration); Richard G. Taylor (author, illustrator); and Special Collections

  16 unnumbered pages : illustrations. "A film by Ron Mann" Advertisement in comic book format for a documentary film of the same title. "Vol. 1 # 1 is a one shot promotional comic book ... Front cover and page one art by Chester Brown. 'Addicted' by Rick Taylor." SUMMARY Includes brief bios of 22 comic book artists featured in the film, plus an illustration and quote by each artist. The film includes profiles of twenty-two notable and influential talents in the comics field, such as Charles Burns, Art Spiegelman, Françoise Mouly, Frank Miller, Stan Lee, Will Eisner, Robert Crumb, Harvey Pekar and William M. Gaines. In interviews, the creators discuss their contributions and history, and read passages from their works over filmograph animations LOCAL NOTE Color cover illustrations, b&w interior. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 17

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 17 Contributors: Michael Dougan, Robert Crumb, M.A. McMillan, Doug Allen, Krystine Kryttre, Dennis Worden, Mary Fleener, Ken Struck, Lynn Von Schlichting, David Ostren, J.D. King, Linda Crothers, Stanley Mouse, S. Clay Wilson, Ken Weiner, Drew Friedman, Diane Noomin, Anthony Mostrom, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 11

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 11 Contributors: Kazimieras G. Prapuolenis, Robert Crumb, B. N. Duncan, Ken Weiner, Ken Struck, Anthony Mostrom, B. Carleton, Peter Bagge, Rick Trembles, Ed Roth, Savage Pencil, Kim Deitch, Dave Geary, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 16

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 16 Contributors: Mark Zingarelli, Robert Crumb, Ken Struck, Drew Friedman, Aline Kominsky-Crumb, C. Striewski, Carel Moiseiwitsch, Diane Noomin, Kazimieras G. Prapuolenis, David Collier, Kim Deitch, Dennis Worden, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 10

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 10 Contributors: Peter Bagge, Robert Crumb, Ken Weiner, Dennis Worden, K. Struck, Lynda Barry, Savage Pencil, Carol Lay, Kazimieras G. Prapuolenis, David Coulson, J.D. King, Aline Kominsky-Crumb, Drew Friedman, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 25

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 25 Contributors: Robert Crumb, Krystine Kryttre, Rick Altergott, Jaun Gomez, Lloyd Dangle, Glenn Head, Mark Landman, Peter Bagge, J.D. King, Wayne Honath, Ken Weiner, Alexander Ross, Mark Newgarden, Doug Allen, Drew Friedman, Gilbert Hernandez, Carol Hernandez, Carol Tyler, Dan Clowes, Carel Moiseiwitsch, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 12

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 12 Contributors: Jim Woodring, Robert Crumb, J.R. Williams, Brad Johnson, Ken Struck , Ken Weiner, Ace Backwords, Drew Friedman, Peter Bagge, Dennis Worden, J.D. King, Xno, Bill Griffith, Rory Hayes, Bob X, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 14

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 14 Contributors: Robert Crumb, J.D. King, Dennis Worden, Carel Moiseiwitsch, Ken Struck, Mary Fleener, Ken Weiner, Anthony Mostrom, Bruce Carleton, Steve Fiorella, Peter Bagge, S. Clay Wilson, J.R. Williams, Kazimieras G. Prapuolenis, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 15

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 15 Contributors: Robert Crumb, J.D. King, J.R. Williams, Ken Struck, R.L. Crabb, S. Clay Wilson, Dori Seda, C. Striewski, Peter Bagge, Raymond Pettibon, Kim Deitch, Kazimieras G. Prapuolenis, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 13

  Peter Bagge (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 13 Contributors: Robert Crumb, Michael Roden, Ken Struck, Mary Fleener, John Holmstrom, Ace Backwords, B.N. Duncan, Diane Noomin, Raymond Pettibon, David Coulson, Robert Williams, Carel Moiseiwitsch, Aline Kominsky-Crumb, Peter Bagge, Arne Hultine, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Hungry Chuck Biscuits Comics and Stories, No. 1

  Daniel Clyne, Special Collections, and Fleet Library

  1 number : black-and-white illustrations. Began and ceased with no. 1 (1971). Compilation comic, includes D. Clyne, Skip Williamson, Denis Kitchen and others. Color illustrations on cover. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Fever Dreams

  Richard Corben, Jan Strnad, Special Collections, and Fleet Library

  "The cover story, "To Meet the Faces You Meet," has been adapted as the movie MEAD, premiering in summer 2022. Written by frequent Corben collaborator Jan Strnad this is one of the pair's true classics. … This early underground comix science fiction cross-over was very popular, going through several printings. The other portion of the comic is "The Unicorn Quest," also written by Strnad but drawn by John Adkins Richardson. Fabulous front cover by Corben (later printings are generally not as vivid as this initial printing)." – from Steve Krupp's Curio Shoppe a division of www.deniskitchen.com. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Motor City Comics (No. 1)

  R. Crumb, Special Collections, and Fleet Library

  2 volumes : chiefly illustrations. Title from cover. By R. Crumb. Color illustrations on covers, b&w interiors. Library has two copies of #1 (one in poor condition) The Adler Archive of Underground Comix, Gift of Bill Adler.The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Best Buy Comics

  R. Crumb, Special Collections, and Fleet Library

  [32] pages : illustrations. All stories and strips first published in Coevolution Quarterly except "Aline and Bob go to the Whole Earth Jamboree." Cover title: R. Crumb's Best Buy comics. Color cover illustrations, b&w interior. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Big Ass comics, No. 2

  R. Crumb, Special Collections, and Fleet Library

  2 numbers : black-and-white illustrations ; 26 cm Frequency: Irregular. Began with [no. 1] (June 1969); ceased with no. 2 (August 1971). "Adults only." Cover price differs with each printing. Color cover illustration, b&w interior. Issue 2 in poor condition. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Uneeda Comix

  R. Crumb, Special Collections, and Fleet Library

  Color cover illustrations, b&w interior. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 7

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 11

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Home Grown Funnies

  R. Crumb, Special Collections, and Fleet Library

  20 unnumbered pages : chiefly illustrations. Title from indicia. Published one-shot. "Second printing May, 1971" The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 5

  R. Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. Contributors: Robert Crumb, Drew Friedman, Harry S. Robins, Terry Boyce, Cliff Neal, Macedonio Garcia, Aline Kominsky-Crumb, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 10

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 4

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 2

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Mr. Natural, No. 2

  R. Crumb, Special Collections, and Fleet Library

  3 numbers : black-and-white illustrations. Color cover illustrations, b&w interiors. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 7

  R. Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 7 Contributors: Robert Crumb, Drew Friedman, Elinore Norflus, Robert Williams, Jeff John, Terry Boyce, Spain Rodriguez, Dori Seda, Kazimieras G. Prapuolenis, Dennis Worden, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 4

  R. Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 4 Contributors: Robert Crumb, Dennis Worden, Dori Seda, Robert Armstrong, Drew Friedman, Elinore Norflus, Terry Boyce, Kazimieras G. Prapuolenis, Tom Bertino, B.N. Duncan, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 9

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 6

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 8

  R. Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 8 Contributors: Robert Crumb, Peter Bagge, Tom Bertino, Jeff John, Dori Seda, Elinore Norflus, Robert Armstrong, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Black and White Comics

  R. Crumb, Special Collections, and Fleet Library

  24 unnumbered pages : illustrations. Cover title. Contents: Squirrely the squirrel -- Patricia Pig in "Patricia goes shopping" -- Bill the pill -- Big fine legs -- R. Crumb versus the sisterhood. Color cover illustration, b&w interior. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Mr. Natural (No. 1)

  R. Crumb, Special Collections, and Fleet Library

  3 numbers : black-and-white illustrations. Color cover illustrations, b&w interiors. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Aline and Bob’s Dirty Laundry Comics

  R. Crumb, Special Collections, and Fleet Library

  32 unnumbered pages : illustrations. Cover title. Originally published by Cartoonists' Co-op in 1974; not to be confused with Dirty laundry comics, also published by Last Gasp in 1977. First comic: Kominsky & Crumb in Let's have a little talk. Color cover illustration, b&w interior.The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 9

  R. Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 9 Contributors: Dave Geary, Robert Crumb, Drew Friedman, J.D. King, Spain Rodriguez, B.N. Duncan, Max Crumb, Terry Boyce, Tom Bertino, Peter Bagge, Dori Seda, Billy Bunting, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Plunge into the Depths of Despair

  R. Crumb, Special Collections, and Fleet Library

  24 unnumbered pages : illustrations. Cover title. Statement of responsibility from The official underground and newave comix price guide, by Jay Kennedy. Comic book one-shot. Color cover illustration, b&w interior.The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 6

  R. Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 6 Contributors: Robert Crumb, Aline Kominksy-Crumb, Terry Boyce, Ace Backwords, Norman Dog, Jeff John, Drew Friedman, Butch Austin, Doris McCarthy, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 8

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 5

  R. Crumb, Special Collections, and Fleet Library

  Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  The People's Comics

  R. Crumb, Special Collections, and Fleet Library

  24 unnumbered pages : illustrations. Cover title. "First printing of this edition, April 1976." Library has Fourth Kitchen Sink printing, October, 1986. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Motor City Comics, No. 2

  R. Crumb, Special Collections, and Fleet Library

  2 volumes : chiefly illustrations. Title from cover. By R. Crumb. Color illustrations on covers, b&w interiors. Library has two copies of #1 (one in poor condition) The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Funny Aminals

  R. Crumb (editor), Special Collections, and Fleet Library

  The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Big Ass Comics, No. 1

  R. Crumb, Special Collections, and Fleet Library

  2 numbers : black-and-white illustrations ; 26 cm Frequency: Irregular. Began with [no. 1] (June 1969); ceased with no. 2 (August 1971). "Adults only." Cover price differs with each printing. Color cover illustration, b&w interior. Issue 2 in poor condition. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Artistic Comics

  R. Crumb, Aline Kominsky, Special Collections, and Fleet Library

  64 unnumbered pages : illustrations. Cover title. "A special issue made up entirely of exerpts [sic] from the secret sketchbooks of R. Crumb!"--Cover Comic books, strips, etc.The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 1

  R. Crumb (editor), Various Artists, Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: Quarterly. No. 1 (spring 1981)- Ceased with no. 28 (summer 1993). Editor: R. Crumb. Title from cover. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge). Color illustrations on covers, b&w interiors. No. 1 Contributors: Robert Crumb, Stanislav Szukalski, Peter Brueghal, B.N. Duncan, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 3

  R. Crumb, Various Artists, Special Collections, and Fleet Library

  17 volumes : illustrations. Began with no. 0 (October 1967). Ceased with no. 16 (November 2014). Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14)The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 2

  R. Crumb (editor), Various Artists, Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: Quarterly. No. 1 (spring 1981)- Ceased with no. 28 (summer 1993). Editor: R. Crumb. Title from cover. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge). Color illustrations on covers, b&w interiors. No. 2 Contributors: Robert Crumb, Spain Rodriguez, Harry S. Robins, Norman F. Pettingill, Aline Kominsky-Crumb, Dori Seda, Phoebe Gloeckner, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 0

  R. Crumb, Various Artists, Special Collections, and Fleet Library

  17 volumes : illustrations. Began with no. 0 (October 1967). Ceased with no. 16 (November 2014). Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14)The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 3

  R. Crumb (editor), Various Artists, Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: Quarterly. No. 1 (spring 1981)- Ceased with no. 28 (summer 1993). Editor: R. Crumb. Title from cover. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge). Color illustrations on covers, b&w interiors. No. 3 Contributors: Robert Crumb, "Stomp" Ganos, Bob Armstrong, Max Crumb, Terry Boyce, J.D. King, Gene Deitch, Eugene Teal, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zap Comix, No. 1

  R. Crumb, Various Artists, Special Collections, and Fleet Library

  17 volumes : illustrations. Began with no. 0 (October 1967). Ceased with no. 16 (November 2014). Early issues were published by Apex Novelties and later reprinted by Last Gasp. Publisher became Print Mint with no. 3, Last Gasp with no. 10, and Fantagraphics with no. 16. No. 0 was drawn before issue no. 1 but published afterwards and numbered no. 0 to preserve the correct sequence. Zap Comics written and illustrated by Robert Crumb, S. Clay Wilson, Victor Moscoso, Rick Griffin, Gilbert Shelton, Spain Rodriguez, Robert Williams, Paul Mavrides. Zap Comix was an underground comix series which was originally part of the youth counterculture of the late 1960s. While a few small-circulation self-published satirical comic books had been printed prior to this, Zap became the model for the "comix" movement that snowballed after its release. The title itself published 17 issues over a period of 46 years. Color illustrations on covers, b&w interiors. #0 issue inscribed to Bill Adler and signed by R. Crumb, 1985. Library has issues 0 to 15 (two copies of 14)The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Greaser Comics, No. 1

  Geroge Dicaprio, Richard Jaccoma, Special Collections, and Fleet Library

  N.Y.C. : Half-Ass Press, 1971. 2 numbers : black-and-white illustrations ; 24-26 cm Frequency: Irregular. Publication Dates: Began with number 1 (Sept. 1971); ceased with no. 2 (July 1972). "Adults only." Number one is by G. DiCaprio and R. Jaccoma. No. 2 is by G. DiCaprio and Jim Janes. Description based on: Number one (Sept. 1971); title from indicia. Color cover illustrations, b&w interior. Library has issue no. 1. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Deep 3D Comix

  Don Glassford, Special Collections, and Fleet Library

  32 unnumbered pages : illustrations + 3D viewer. Title from indicia. Three printings exist. The first printing cost "75 [cents]." The later two cost "$1.00." Artwork mainly by Don Glassford. Jay Lynch, Peter Poplaski, and Denis Kitchen also contributed. Publisher's advertisement at end of issue. "Genuine sinful materials for adults only"--Cover "Vol. 1, no. 1" Color cover illustrations. 3-D viewer inside issue. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Horny Comics and Stories, No. 4

  Grass Green, Special Collections, and Fleet Library

  The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Show + Tell Comic

  Jsutin Green, Special Collections, and Fleet Library

  32 unnumbered pages : illustrations. Cover title. Color cover illustrations printed in orange and blue, inside cover in red-purple, b&w interior. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Naughty Bits, No. 26

  Roberta Gregory, Special Collections, and Fleet Library

  Volumes : illustrations. Two no. a year, March-July 2004. Frequency varies, March 1991-July 2003. Publication dates: No. 1 (Mar. 1991) - #40 (July 2004). Title from indicia. "Mature Readers" #40 (July 2004). Color cover illustrations, b&w interiors. Library has nos. 26 (June 1998), 27 (Oct. 1998). The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Naughty Bits, No. 27

  Roberta Gregory, Special Collections, and Fleet Library

  Volumes : illustrations. Two no. a year, March-July 2004. Frequency varies, March 1991-July 2003. Publication dates: No. 1 (Mar. 1991) - #40 (July 2004). Title from indicia. "Mature Readers" #40 (July 2004). Color cover illustrations, b&w interiors. Library has nos. 26 (June 1998), 27 (Oct. 1998). The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Zippy Stories

  Bill Griffith, Special Collections, and Fleet Library

  48 unnumbered pages : illustrations (red & black). Cover title. "Strips in this books originally appeared in the 'Berkeley Barb, from Jan. 9, 1976 to June 10, 1977.'"--Page 2 of cover. Contents: Ticket to Mars -- Griffith Observatory -- Toadette Traits -- Alfred Jarry. Color cover illustrations. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Tales of Toad, No. 2

  Bill Griffith, Special Collections, and Fleet Library

  2 numbers : black-and-white illustrations. Publication dates: Began with no. 1 (1970); ceased with no. 2 (1971). A comic book written and drawn by Bill Griffith. Some stories feature Zippy the Pinhead. Description based on: No. 2 (1971); title from indicia. Color cover illustrations, b&w interior. Library has no. 2 only. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Fog City Comics, No. 1

  Terry Hamilton, Rand C. Holmes, Special Collections, and Fleet Library

  3 numbers black-and-white illustrations. Frequency: Annual Publication dates: Began with no. 1 (September, 1977); ceased with no. 3 (June, 1979). "Not for sale to children." Fog City Comics is a three-issue anthology published in Vancouver (the fog city, get it?) by Stampart. They are notable for giving us three terrific Rand Holmes covers and one Holmes story in each of the books. Edited by Terry Hamilton, the series is not one of the stronger contributions to the post-golden-era underground ouevre, but there are certainly some gems to be found. The first issue features funny animal stories throughout, a theme that has seen its share of failures in the past and this is probably one of them. The third issue is 68 pages and easily the best of the series, with a brilliant self-reflective story from Rand Holmes, an epic tale from George Metzger, and several decent contributions from Brent Boates. Library has No. 1 (September, 1977) & No. 3 (1979). The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Laugh in the Dark, No. 1

  Rory Hayes, Kim Dietch, Justin Green, Special Collections, and Fleet Library

  40 unnumbered pages : black-and-white illustrations. Began and ceased with no. 1 (1971). This underground was originally supposed to be Bogeyman #4, but Last Gasp or someone figured it would be better under a different title. A gruesome but often funny underground-style horror comic featuring Rory Hayes, Kim Deitch, Spain, Bill Griffith, S. Clay Wilson and Justin Green. One of Green's contributions is one of his best Binky Brown stories. The four-page "The Agony of Binky Brown" is like a condensed origin story for Green's signature character. It's a practical yet powerful tale, relating the odd influences of Binky's youth and his inability to rationalize them out of his fervent (and clinically neurotic) mind. Color front cover illustration by Kim Deitch. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Anarchy Comics, No. 1

  Jay Kinney, Special Collections, and Fleet Library

  Publication Dates: no. 1 (1978), Ceased with no. 4 (1987). Underground comic that melded anarchist politics with a punk sensibility, producing a riveting mix of satire, revolt, and artistic experimentation. Library has nos. 1-4.Contents: Anarchy comics #1. Front cover / Jay Kinney -- Inside cover / Jay Kinney & Gerhard Seyfried -- Too real / Jay Kinney -- Nestor Makhno / Spain Rodriguez -- Smarmy Comics / Jay Kinney -- The quilting bee / Melinda Gebbie -- Blood and sky / Spain Rodriguez -- Gilbert Shelton's advanced international motoring tips -- Liberty through the ages : Kronstadt / Épistolier & Volny -- What's the difference? / John Burnham -- Owd Nancy's petticoat / Clifford Harper -- Comic strip parodies / Jay Kinney -- Some straight talk about anarchy / Paul Mavrides -- Inside back cover / Jay Kinney & Gerhard Seyfried -- Back cover / Gerhard Seyfried. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Mondo Snarfo

  Denis Kitchen (editor), Special Collections, and Fleet Library

  copyright credits: Front and back covers and "Major Arcana" copyright© 1978 by Denis Kitchen. "Major Arcana" splash panel © 1975 by Denis Kitchen. Inside front cover, Inside back cover, and centerfold art© 1975 and 1976 by Peter Pontiac. "Situation Comedy" © 1978 by Bill Griffith. "Life's Improper Number" and "More Iron"© 1978 by Steve Stiles. "Li'I Waymuth" © 1978 by Bob Armstrong. "Henry Foulbite" © 1978 by Art Spiegelman. "Tony Target" ©1978 by Mark Beyer. "Przetlety Ptak"© 1978 by Tom Budzinski. "Grim Grids"© 1977 by Robert Crumb. "zz!z!" © 1978 by Kim Deitch. "Dual/Duel"© 1978 by Larry Rippee. Fantasy drawing ©1978 by Joel Beck. "Chicken Fat"© 1978 by Peter Poplaski. Untitled flying whale story © 1978 by Mike Newhall. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  El Perfecto Comics

  Aline Kominsky (editor), Various Artists, Special Collections, and Fleet Library

  "An artists' benefit comic book for the Timothy Leary Defense Fund." The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 26

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 26 Contributors: Robert Crumb, Diane Noomin, Mary Fleener, Leslie Sternbergh, Lloyd Dangle, Penny Moran, Phoebe Gloeckner, Spain Rodriguez, Aline Kominsky-Crumb, Roy Tompkins, Stanley Goldstein, Ted Jouflas, Julie Doucet, Krystine Kryttre, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 18

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 18 Contributors: Robert Crumb, Diane Noomin, Peter Bagge, Justin Green, Michael Dougan, Aline Kominsky-Crumb, Dori Seda, Spain Rodriguez, Linda Crothers, Carol Tyler, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 22

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 22 Contributors: Robert Crumb, Krystine Kryttre, Dori Seda, Justin Green, Ell, Kim Deitch, Roy Tompkins, Ted Jouflas, Carol Tyler, Aline Kominsky-Crumb, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 27

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 27 Contributors: Robert Crumb, Peter Bagge, James MacArthur, Joe Matt, B.N. Duncan, Garret Gaston, Carol Lay, Julie Doucet, S. Clay Wilson, Penny Moran, Lloyd Dangle, Linzee Arnold, Dennis Worden, Aline Kominsky-Crumb, Art Spiegelman, Charles Burns, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 28

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Cover title of no. 28 (Summer 1993) entitled Verre d'eau [Glass of water] and called "one-time-only special international issue, absolutely the last issue ever." Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 28 Contributors: Robert Crumb, Robert Armstrong, Sasa Rekezic, Roy Tompkins, Florence Cestac, Ted Jouflas, Bill Griffith, Debbie Drechsler, Jean-Christoph Menu, Spain Rodriguez, Placid, Peter Bagge, Baudoin Diane Noomin, Willem, Aline Kominsky-Crumb, Caroline Wedier, Carol Tyler Matt Konture, Phoebe Gloeckner, Mary Fleener, Bob Kathman, Sasa Rakezic, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  The Bunch’s Power Pak Comics (No. 1)

  Aline Kominsky-Crumb, Special Collections, and Fleet Library

  The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 19

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 19 Contributors: Kim Deitch, Robert Crumb, Peter Bagge, Ace Backwords, Frank Stack, Penny Moran, Scott Nickel, Mark Zingarelli, S. Clay Wilson, Michael Dougan, Aline Kominsky-Crumb, Stephen Calt, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 20

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 20 Contributors: Robert Crumb, Justin Green, Dori Seda, Mary Fleener, Aline Kominsky-Crumb, Mark Zingarelli, Luna Ticks, Carol Tyler, Lindsay Arnold, Michael Dougan, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 21

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 21 Contributors: Robert Crumb, William Clark, Mary Fleener, Carol Tyler, Robert Armstrong, Michael Dougan, Aline Kominsky-Crumb, Justin Green, Dennis Worden, Luna Ticks, Spain, B.N.Duncan, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 24

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 24 Contributors: Robert Crumb, Cathy Millet, Phoebe Gloeckner, Bill Griffith, Justin Green, Dori Seda, Don Donahue, Carol Tyler, Aline Kominsky-Crumb, Kim Deitch, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Weirdo, No. 23

  Aline Kominsky-Crumb (editor), Special Collections, and Fleet Library

  28 volumes : illustrations. Frequency: quarterly. Publication dates: No. 1 (spring, 1981), ceased with no. 28 (summer, 1993). Editor: R. Crumb. With issue #10, P. Bagge became editor; with issue #18, Crumb's wife, Aline Kominsky-Crumb became editor (except for issue #25, which was again edited by Bagge).Color illustrations on covers, b&w interiors. Early issues of Weirdo reflect Crumb's interests at the time outsider art, fumetti, Church of the SubGenius-type anti-propaganda and assorted "weirdness." It also introduced artists such as Peter Bagge, Dori Seda and Dennis Worden. No. 23 Contributors: Robert Crumb, Sophie Crumb, Ace Backwords, Aline Kominsky-Crumb, Ted Jouflas, Tom Chalkley, Joe Sacco, Spain Rodriguez, Lindsay Arnold, Kim Deitch B.N. Duncan, and more. Library has two copies of no. 27. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  The Bunch’s Power Pak Comics (No. 2)

  Aline Kominsky-Crumb, Special Collections, and Fleet Library

  The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Middle Class Fantasies

  Jerry Lane, Special Collections, and Fleet Library

  2 numbers : black-and-white illustrations. Frequency: Irregular. Publication Dates: Began with no. 1 (1973); ceased with no. 2 (1976). Publisher: Industrial Realities, 1976. No. 1. 1st printing. Movie-themed underground comic produced by cartoonist Jerry Lane as part of his Masters thesis in art at California State University. A biography of Superman actor George Reeves; The Marx Brothers in A Night at Motel 6; Part 1 of The Frogman, and more. Mature readers. Black and white; 32 pages. Rita Hayworth cover illustration by Lane. Color cover illustrations, b&w interior. Library has No. 1 (1973). The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Bijou Funnies, No. 2

  Jay Lynch (editor, cartoonist); Special Collections; and Fleet Library

  8 no. : chiefly illustrations. Frequency: Irregular. Vol. 1, no. 1-v. 1, no. 8. Bijou Funnies was an American underground comix magazine which published eight issues between 1968 and 1973. Edited by Chicago-based cartoonist Jay Lynch, Bijou Funnies featured work by the core group of Lynch, Skip Williamson, Robert Crumb, and Jay Kinney, as well as Art Spiegelman, Gilbert Shelton, Justin Green, and Kim Deitch. Bijou Funnies was heavily influenced by Mad magazine, and, along with Zap Comix, is considered one of the titles to launch the underground comix movement.--Wikipedia. Color cover illustrations, b&w interiors. Library has vol. 1, nos. 2, 4, 6. Nos. 4 & 6 in poor condition. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  The Human Drama

  Jim Madow (editor), Special Collections, and Fleet Library

  The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Color

  Victor Moscoso, Special Collections, and Fleet Library

  32 pages : color illustrations. Comic book issued in staple-bound, color-printed wrappers, with illustration across front and back wrappers, depicting humanoid robot with elongated, flexible limbs, with eyes atop feet and ray-gun for head, ascending a rainbow spiral with spheroid space station, large-finned space ship, and planet Saturn with rainbow-colored rings. "Adults Only" Born in Spain, Victor Moscoso was the first of the counterculture rock poster artists with formal academic training and experience. After studying art at Cooper Union in New York City and at Yale University, he moved to San Francisco in 1959. There, he attended the San Francisco Art Institute, where he eventually became an instructor. His posters for San Francisco's Family Dog dance-concerts at the Avalon Ballroom and his Neon Rose posters for the Matrix were to bring his work international attention in the Height-Ashbery "Summer of Love," in 1967. He became one of the featured artists of the San Francisco-based Underground Comix. Originally drawn as a storyboard for an animation that was not produced. SUMMARY: Human and humanoid characters engaged in science-fiction violence and sex. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Moscoso Comix, No. 1

  Victor Moscoso, Special Collections, and Fleet Library

  1 number : illustrations. Frquency: Annual. Publication Dates: Began and ceased with no. 1 (1989). "Adults only." A comic book entirely written and drawn by Victor Moscoso. Issued with second cover and content on inverted pages. Color cover illustration, b&w interior. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Lemme Outa Here!

  Diane Noomin (editor), Special Collections, and Fleet Library

  Contributors: Mark Beyer, M.K. Brown, R. Crumb, Kim Deitch, Justin Green, Bill Griffith, Aline Kominsky, Michael McMillan, Diane Noomin. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  Dan O’Neill’s Comics and Stories, No. 2

  Daniel O'Neill, Special Collections, and Fleet Library

  5 numbers : black-and-white illustrations. The Adler Archive of Underground Comix, Gift of Bill Adler. Publication Dates: Began with vol. 1, no. 1 (1971) ; ceased with v. 2, no. 2 (1975). Vol. 2, no. 1-2 published by Comics and Comix, Berkeley, Calif. Library has Vol. 2, no. 2 (1975) Color cover illustrations, b&w interior. Poor condition, previous water damage, yellowed pages.

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  The Original Olivia, No. 1

  Robert Outlaw, Dan W. Taylor, Special Collections, and Fleet Library

  volumes : illustrations. Publication Date: No.1 (summer 1991)-. Title from indicia. "For adults only!" Contents: No. 1. The Maltese Pussy -- Brunch of the Amazon cavewomen -- Close encounters of the bimbo kind / Robert Outlaw -- Barnyard bimbo / Robert Outlaw, story & Dan W. Taylor, art. Color cover illustrations, b&w interior. Library has #1 (summer 1991). The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 1

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 2

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 5

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 3

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 8

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 4

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 16

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 12

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 7

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 9

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 13

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 15

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 14

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.

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  American Splendor, No. 11

  Harvey Pekar, Special Collections, and Fleet Library

  volumes : illustrations. Began in 1976 with #1; ceased in 1993 with #17. American Splendor is a series of autobiographical comic books written by Harvey Pekar and drawn by a variety of artists. The first issue was published in 1976 and the last one in September 2008, with publication occurring at irregular intervals (Pekar died in 2010). Publishers were, at various times, Harvey Pekar himself, Dark Horse Comics, and DC Comics. In addition to R. Crumb, Pekar's most well-known and longest-running collaborators included Gary Dumm, Greg Budgett, Spain Rodriguez, Joe Zabel, Gerry Shamray, Frank Stack, Mark Zingarelli, and Joe Sacco. Other notable American Splendor illustrators include Alison Bechdel, Brian Bram, Chester Brown, Alan Moore, David Collier, Drew Friedman, Dean Haspiel, Val Mayerik, Josh Neufeld, Jim Woodring, and Ed Piskor. The later Vertigo Comics-published issues employed a new crop of artists, including Ty Templeton, Richard Corben, Hunt Emerson, Eddie Campbell, Gilbert Hernandez, Ho Che Anderson, and Rick Geary. Color illustrated cover, b&w interiors Library has issues 1-16. The Adler Archive of Underground Comix, Gift of Bill Adler.