Date of Award
Spring 5-30-2019
Document Type
Thesis
Degree Name
Master of Fine Arts (MFA)
Department
Painting
First Advisor
Craig Taylor
Second Advisor
Jackie Gendel
Third Advisor
Roger White
Abstract
In an age of digital technologies, contemporary portraits look different than their predecessors did. Portraiture does not have to continue to rely only on the idea of physical likeness, even though that is generally how portraiture is conceived. Through our virtual lives, we build new versions of ourselves, gain an abundance of information, and consume technological visuals. These newfound engagements and understandings shape the portraits we build of ourselves and of other groups at large. In my painting practice, portraiture is a way to explore the contemporary landscape around me as a woman and a painter who engages in digital life a little too much at times. I find and create portraits within women’s social media profiles, the mass of online images, and the visuals in various technologies. With these sources, I seek a mode of painting that can slow down the viewer and make them consider our image-saturated, online-obsessed, contemporary reality within the framework of portraiture.
Recommended Citation
Ledford, Katelyn, "The person-less portrait" (2019). Masters Theses. 345.
https://digitalcommons.risd.edu/masterstheses/345
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.