Date of Award

Spring 5-22-2026

Document Type

Thesis

Degree Name

Master of Fine Arts (MFA)

Department

Printmaking

First Advisor

Dr. Katerina Stefatos, PhD

Second Advisor

Mr. Andrew Raftery

Third Advisor

Ms. Tyanna Buie

Abstract

This thesis argues that silence surrounding trauma within domestic spaces is not merely an absence of speech or a condition of voicelessness, but it functions as an act of resistance. Focusing on domestic abuse within patriarchal structures, this research examines the ways trauma is embodied, negotiated, and concealed in everyday life. Central in this inquiry is the figure of the “sole witness” to abuse, those who live in close proximity to violence, endure its aftermath and negotiate survival through subtle and often unseen acts of resistance.

I am not attempting to define trauma, but the thesis explores the traces trauma leaves behind; its marks, absences, repetitions, and embodiment. It investigates how silence around abuse is sustained, while simultaneously attending to the fragmented and micro acts of resistance that emerge within domestic and private spaces. These acts, though frequently unseen and non-verbal, challenge the structure of patriarchy, imposed gender roles, normative expectations and responsibility, construction of subjectivity and what Veena Das terms "poisonous knowledge,” embedded within everyday life.

Through theoretical inquiry and artistic practice, this thesis prints to surface what remains veiled. Engaging with concepts like trauma, silence, embodiment, and resistance, it proposes the notion of a "third space” as a framework for understanding the tension between silence and agency. Drawing from theorists including Veena Das, Cathy Caruth, and Bibi Bakare-Yusuf, this thesis examines how spaces of resistance emerge within sites of violence and silence, thereby creating possibilities for negotiation, bargaining, and survival.

Ultimately, this research suggests that while experiences of trauma are culturally specific, there exists similarities in how trauma is embodied and negotiated across geographies. In tracing those shared conditions, the thesis argues the necessity of a third space, a space which holds contradiction, fragmented subjectivities, silence, and resistance.

Included in

Fine Arts Commons

Share

COinS
 
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.