Date of Award

Spring 5-1-2016

Document Type

Thesis

Degree Name

Master of Fine Arts (MFA)

Department

Graphic Design

First Advisor

Lucinda Hitchcock

Second Advisor

Benjamin Shaykin

Third Advisor

Lisa Young

RISD Fleet Library Catalog Record

https://librarycat.risd.edu/record=b1484258~S4

Abstract

Today, we are surrounded by multiple, simultaneous narratives with various coexisting perspectives. Within these myriad relational scenarios there is always an unfolding and reordering between inside and outside, center and margin. Margins are not minor. Yet for many reasons we deem them secondary. Activate the Margins redirects attention to these peripheral stories.

As designer, I develop ways to reimagine peripheral content, supporting different angles for understanding the complex relationships at play in contemporary culture. By retracing, reorganizing and reframing the margin, I activate a dynamic interplay between foreground and periphery to destabilize power dynamics. Paratext is the surrounding material alongside the main text which indicates subsidiary elements located in marginal areas. Paratextual elements refer to secondary, minor, and subordinate components. However, the graphic designer's role is that of a storyteller who shapes counter space for the contents. I argue that paratext is a legitimate subject matter to be studied in graphic design practice, both for its literal and metaphorical connotations. Through my works, I examine the condition of the term paratext as a narrative device to reimagine conventions of storytelling.

Margins act as a vital bridge between story and readers - a place where a connection is made between readers, and storytellers. One of the biggest characteristics of the marginal area is its position as a connection and transition, between background and foreground information. Within it, paratext, exists as a storytelling device for creating narrative. Ranging from the conventions of traditional book forms to non-framed areas such as the Korean demilitarized zones, my work explores how viewer's perceptions and experiences can be altered and guided in unexpected ways and how values previously unseen can be formed.

Comments

Additional Masters Examination Committee members / advisors: Juliette Cezzar and Bethany Johns

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