Date of Award
Spring 6-1-2024
Document Type
Thesis
Degree Name
Master of Fine Arts (MFA)
Department
Photography
First Advisor
Steve Smith
Second Advisor
Zoé Samudzi
Third Advisor
Conor Moynihan
Abstract
There is a version
of America
that exists
only in dreams,
a kind of folklore,
shrouded in images,
technicolor interiors,
wrapped in plastic,
ghosts of recent past
to haunt and guide;
a constant reminder.
Wishful thinking
a constructed imaginary,
one I can hold in my hand.
Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My practice seeks to demystify the visual languages that have defined "American" identity since the mid-20th century, examining their constant permeation, spectacle, and ability to influence viewers' psyches. Often positioned within domestic or capitalistic spaces, I explore how heightening these archetypes or icons can make us question or recall our own understanding of what is distinctly “American” and what is not. By examining specific social, cultural, and material characteristics from the mid-20th century, I aim to demystify the visual languages that have shaped these ideologies and driven collective psychological desires and fears that still remain present today.
Recommended Citation
Meftah, Sarah, "America, Dreaming." (2024). Masters Theses. 1233.
https://digitalcommons.risd.edu/masterstheses/1233
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