Date of Award
Spring 6-3-2023
Document Type
Thesis
Degree Name
Master of Fine Arts (MFA)
Department
Graphic Design
First Advisor
Ramon Tejeda
Second Advisor
Rene Payne
Third Advisor
Christopher Roberts, PhD.
Abstract
This is a (loose) manual on a method I like to refer to as surfacing.
A method that synthesizes narrative through the use of surfaces such as textiles, paper, web & video to reveal the spectacularly ordinary parts of Black life within a growing design practice.
A method I (currently) practice in three (evolving) steps:
Unlayering and piecing together stuff (rememory)
Acknowledgment of ancestry through stuff-making (kin)
Consciousness of oneself and the place / time / space in which the work is being disseminated (hypervisibility)
This is a manual that profiles a (current) design practice of a Black female maker in 2023 (me! lol).
A Black female maker that continues to amalgamate, respond-to and learn-from.
One who recognizes that they are still growing — that their views expressed in this text will shift, evolve or change with time.
Recommended Citation
Pulley, Zoë, "Surfacing: a (loose) manual on unlayering / stuff-making and hypervisibility" (2023). Masters Theses. 1086.
https://digitalcommons.risd.edu/masterstheses/1086
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.
Included in
Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Graphic Design Commons, Metal and Jewelry Arts Commons, United States History Commons
Comments
View exhibition online: Zoë Pulley, Surfacing