• Home
  • Search
  • Browse Collections
  • My Account
  • About
  • DC Network Digital Commons Network™
Skip to main content
DigitalCommons@RISD

DigitalCommons@RISD

  • My Account
  • FAQ
  • About
  • Home
  1. Home
  2. >
  3. Film / Animation / Video (FAV)
  4. >
  5. Movement Lab
  6. >
  7. Fellowships
  8. >
  9. 2025-26 Hunter Whitaker-Morrow
  10. >
  11. Course Materials
 

Course Materials

Printing is not supported at the primary Gallery Thumbnail page. Please first navigate to a specific Image before printing.

Follow

Switch View to Grid View Slideshow
 
  • The Transforming Image | Class 1.1 by Hunter Whitaker-Morrow and Movement Lab

    The Transforming Image | Class 1.1

    Hunter Whitaker-Morrow and Movement Lab

  • The Transforming Image | Class 1.2 by Hunter Whitaker-Morrow and Movement Lab

    The Transforming Image | Class 1.2

    Hunter Whitaker-Morrow and Movement Lab

  • The Transforming Image | Class 1.3 by Hunter Whitaker-Morrow and Movement Lab

    The Transforming Image | Class 1.3

    Hunter Whitaker-Morrow and Movement Lab

  • The Transforming Image | Class 3.2 by Hunter Whitaker-Morrow and Movement Lab

    The Transforming Image | Class 3.2

    Hunter Whitaker-Morrow and Movement Lab

  • The Transforming Image | Wintersession 2026 Syllabus by Hunter Whitaker-Morrow and Movement Lab

    The Transforming Image | Wintersession 2026 Syllabus

    Hunter Whitaker-Morrow and Movement Lab

    This studio course engages the contemporary digital moving (and sounding) image as a medium undergoing rapid development. Advancing the exploratory ethos of early video art, participants will probe new possibilities for experimentation against the contemporary backdrop of ubiquitous access to smartphones and production capabilities as well as the proliferation of tools for digital signal manipulation, media recycling, and image sequencing.

    Coursework will center on a variety of hands-on creative exercises that challenge predominant conceptions of the moving image and engage with medium-specific approaches including video installation, desktop performance, generative cinematics, recycling media, realtime audio-visual performance, and notions of digital materiality. As the course progresses, focus will shift toward open-ended project development and in-class critiques.

    In addition to considering how traditional editing software can be employed experimentally, participants will be introduced to a range of digital tools intended to open new avenues for their own practices. Significant class time will also be spent viewing and discussing boundary-pushing work by established artists to further ground an expanded understanding of this medium in flux.

 
 
 

Browse

  • All Collections
  • Divisions
  • Departments
  • Offices
  • Fleet Library
  • Online Exhibitions
  • Masters Theses
  • Authors
  • Disciplines

Search

Advanced Search

  • Notify me via email or RSS

Contributor Info

  • Contributor FAQ

Links

  • Movement Lab Fellowship

Permissions

  • Terms of Use
 
Elsevier - Digital Commons

Home | About | FAQ | My Account | Accessibility Statement

Privacy Copyright