Date of Award

Spring 6-1-2024

Document Type

Thesis

Degree Name

Master of Fine Arts (MFA)

Department

Painting

First Advisor

Yasi Alipour

Second Advisor

Amy Sadao

Third Advisor

DJ Hellerman

Abstract

Relief holds both an emotional and a physical connotation; both the lifting of a burden or emotional baggage and the description of an object with forms that protrude from a planar surface. This thesis explores the ways in which these connotations can co-mingle and inform each other through the creation of hand-carved wooden reliefs. The relief becomes a vessel through which an emotional connection can be formed between viewer and maker by way of a shared sense of labor.

Wood, a material grown from the earth, is transformed into an entirely human-created form, the car; embodying the just-as-human desire for freedom and individualization through the construction of a privatized space, perfectly designed to accommodate human desires. The car can thus act as a bridge between private and public spaces and model a division of the interior and exterior both physically and psychologically.

Through short vignettes of personal narratives situated within a discussion of their larger cultural implications, I hope to understand how vulnerability, shame, and empathy can be used to forge a connection with a viewer through their interaction with an art object.

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