Date of Award
Spring 6-3-2023
Document Type
Thesis
Degree Name
Master of Design (MDes) in Interior Studies / Exhibition + Narrative Environments
Department
Interior Architecture
First Advisor
Heinrich Hermann
Second Advisor
Eduardo Benamor Duarte
Third Advisor
Youngjin Song
Abstract
Contemporary Art museums, emphasizing visual experience- es, struggle to accommodate multi-sensory art forms. This thesis introduces a groundbreaking exhibition design mod- el focused on creating immersive, multi-sensory experiences for visitors. The model transitions from a passive observation paradigm to an interactive perception approach, fostering a deeper understanding and emotional connection to art.
Applied to the Institute of Contemporary Art (ICA), the model introduces strategies such as narrative sculptures, interactive drawing spaces, integrated reading within exhibitions, and emotionally-driven spatial design. These strategies aim to make art more accessible, promoting personal connections with artworks.
In conclusion, the proposed model transforms contemporary art museums into engaging spaces offering rich multi-sensory experiences. This innovative approach not only enhances the visitor experience but also broadens our understanding of what a museum can offer, challenging conventional notions of museum design.
Recommended Citation
Feng, Wanjin, "Intensifying the Experience of Contemporary Art" (2023). Masters Theses. 1170.
https://digitalcommons.risd.edu/masterstheses/1170
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.
Included in
Interior Architecture Commons, Museum Studies Commons, Personality and Social Contexts Commons