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Abstract

Experiential or lived time (A-series time) can be many things. Gertrude Stein claims, in her 1935 Narration lectures, that experiential time is a plenum: all experiential time is full of vivid experience, if one is alert to perceive it. Stein, however, then poses a problem of narration that seems to obstruct poetic access to this vivid plenum. Bernadette Mayer and Lisa Jarnot take up Stein’s challenge with time-defined and time-filling poetic writing processes. Much like children, these processes can come to have their own experiential times.

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