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Abstract

The important epistemic function of photographic images is their active role in construction and reconstruction of our beliefs concerning the world and human identity, since we often consider photographs as presenting reality or even the Real itself. Because photography can convince people of how different social and ethnic groups and even they themselves look, documentary projects and the dissemination of photographic practices supported the transition from disciplinary society to the present-day society of control. While both analog and digital images are formed from the same basic materia, the ways in which this matter appears are distinctive. In the case of analog photography, we deal with physical and chemical matter, whereas with digital images we face electronic matter. Because digital photography allows endless modification of the image, we can no longer believe in the truthfulness of digital images.

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