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Abstract
Experiences of sensing of and finding oneself in a place largely depend on the design of atmospheres. Against the background of an increasing interest in ecological perspectives across various disciplines and regions, this text revisits Gernot Böhme’s respective aesthetic concept from the early 1990s. Arturo Escobar’s recent publication, “Designs for the Pluriverse,” which aims at restructuring relations between local design practices and global connections, will serve as a contemporary space of resonance for this exploration. How far might the aesthetic concept of atmosphere help to bridge gaps within today’s pluriversal thinking?