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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 01

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 02

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 03

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 04

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 05

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 06

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 07

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 08

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 09

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1922, No. 10

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 01

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 02

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 03

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 04

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 05

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 06

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 07

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 08

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 09

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Gazette du bon ton: arts, modes et frivolités | 1921, No. 10

  Lucien Vogel and Marcel Astruc

  The "Gazette du bon ton" was published from November 1912 to summer 1915 and from January 1920 through December 1925. The complete run consisted of twelve volumes. The "Gazette" featured elegant fashions of pre- and postwar France by leading designers, utilizing the technique that revolutionized fashion illustration—pochoir, or stenciling by hand with watercolor. Contributing artists included Georges Lepape, Pierre Grissaud, H. R. Dammy, Georges Barbier, Strimpl, Maggie, and Guy Arnoux." from https://www.metmuseum.org/art/collection/search/591869. RISD Fleet Library has: 1921 nos. 1-10; 1922 nos. 1-10, volumes : color plates ; 27 cm. Monthly (not issued in January or Feburary and August). The RISD Museum Print Room has various nos. from 1913 and 1920.

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  Earring Thinking

  Kate Connell, Special Collections, and Fleet Library

  4 unnumbered pages (single folded sheet), 16 unnumbered plates (some folded) : color illustrations, samples, 18 cm. Title from portfolio. In portfolio (22 x 14 x 3 cm). Describes the process of designing, making and curating for the intimate, magnetic and highly visible place that earrings occupy."-- page [1]. Mounted inside the booklet is a sealed paper envelope containg ear wires, jump rings, safety pins, and a sample paper cutout. Plates include color illustrations of jewelry pieces that can be cutout and mounted with wires to create an earring. Englehart C. Ostby Fund.

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  Robes & Gouaches Simultanés, 1925

  Sonia Delaunay, Special Collections, and Fleet Library

  48 pages : chiefly illustrations (black and white), portraits, "L'art et le corps, rythmes-couleurs en mouvement". 22 x 30 cm. A collection of the artist's drawings related to clothing and costume design. Illustrated title page In French. Black and white printing, different color papers, mostly white, but including blue, green, orange-red. French fold paper. Adhesive binding, paper cover. Stains on title page and bottoms of following pages.

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  The Conspicuous Condom

  Richard Martin, Marvin Hoshino, Special Collections, and Fleet Library

  [xviii], 27, [5] pages : illustrations. 15 cm. "Published in conjunction with an exhibition at the Fashion Institute of Technology, September 5-12, 1989." Designer: Marvin Hoshino. Color initial on page [i]. Stapled, yellow paper cover. Gift of Madelyn Shaw.