Date of Award

Spring 5-31-2025

Document Type

Thesis

Degree Name

Master of Fine Arts (MFA)

Department

Textiles

First Advisor

Anna Gitelson-Kahn

Second Advisor

Brooks Hagan

Third Advisor

Christopher Bardt

Abstract

In an era shaped by environmental crises, the erosion of seasonal rhythms, cultural uncertainty, and the accelerating pace of technological shifts, this thesis explores how textiles—through their tactility, atmosphere, and quiet presence—can serve as vessels for meditative and emotional spaces, which I refer to as "poetic spaces." In the midst of countless unpredictable variables and a rapidly evolving cultural landscape, there is a growing need for environments where silence and quiet reflection can unfold. Within this broader context, poetic space functions not merely as an aesthetic concept, but as a vital site for emotional grounding and inner restoration.

This research weaves together personal memories and interdisciplinary studies, seeking deeper registers of stillness, materiality, and sensory immersion.

Chapter I revisits three of the researcher’s personal spaces through reflective narratives. Chapter II expands the discussion under the theme Research / Qualities Intrinsic to Poetic Spaces, examining how architecture, painting, and textiles transcend their physical forms to create profound emotional resonance. Core concepts such as poetic architecture, the meditative practices of the Dansaekhwa movement in post-war Korea, and atmospheric and sensory textiles frame the discourse.

Chapter III synthesizes insights from these reflections and interdisciplinary explorations, leading to the development of three overarching research frameworks and eight core qualities that establish the logical foundation of the study.

In Chapter IV, textile structures, materials, and colors are explored to deepen material expressions, culminating in the development and analysis of the researcher’s pattern and woven textile designs.

Finally, Chapter V offers a comprehensive conclusion, suggesting the potential applications of the selected works across various fields. It also proposes directions for future research—an effort to open a dialogue between textiles, a space that merges contemplation with hospitality, offering both stillness and warmth, as well as emotional resonance.

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