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Abstract

The contrasting kinetic values between dancer and projected moving image in multimedia scenographies provide the viewer with a particular type of synaesthetic experience. It results from the interaction of kinesthesis proper to each medium, the dancing body and the moving image. The extensive use of projected moving images in performing arts is part of a cultural trend that priviledges a fundamental yet little understood aspect of aesthetic experience. Kinetic synaesthesia is a transdisciplinary concept formulated in light of psychological, physiological, and phenomenological accounts of both synaesthesia and kinesthesis.

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Esthetics Commons

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